December,
2003: Issue 27: Vol. III, No. 12
Mike
Bennett reviews the latest from The
Gay, The Pills, Dave Rave, Tiara and The Boris Flats.
Mike also presents capsule reviews of releases by
Katrina
and the Waves, Al Green, Various Artists -- Hi-fi Christmas
Party, Dipsomaniacs, Various Artists -- Planet Of The
Pop Boomerang, Mr. Encrypto, Katie The Pest/Banner Day,
Denali, The Love Thugs and Ray Mason Band.
Mike also has another CD-R
of The Month. Gary Glauber reviews the latest from Paula
Kelley, Steve Ward, Isolation Years, Trolleyvoxx and Tiny
Volcano.
Shona Winfrey has the latest from sex
& reverb. Kurt Sampsel reviews an important reissue
from The Free
Design.
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2003: I've Got Five
Records
Five Records That I Want You to Hear
Right
Now!
by Kurt Hernon

"I'm living on shattered faith /
the kind that likes to restrict your breath / there's never
been a better time than this / to suffocate on eternal bliss!"
- Brody Dalle (nee Armstrong) "Drain the Blood",
The Distillers
Now this is what I'm talkin' bout folks! This is what I've
been waiting for! It's been a long time coming and let me
tell ya, it feels good! 2003 on the Christian calendar and
finally rockroll sounds are...
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Christmas Sounds:
Sixty-Plus Years Of Holiday Recordings
by Michael Lynch

One of the traditions of the Christmas season
for any music fan is hearing on the radio those classic holiday
recordings we only ever hear a few weeks out of the year.
Well, sure, you COULD play your copy Bing Crosby's "White
Christmas" in June, but wouldn't you feel rather funny
about it?
Well, I'm pretty sure I'm not the only...
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The Folly of Youth
and A Thirty Something Perspective: The Thrills
by Mike Bennett

I recently snagged the debut from The Thrills,
So Much For The City, yet another buzz band. This Irish
band has a singer whose voice is like Joe Pernice or Tahiti
80's Xavier Boyer cross-bred with Steve Forbert, with music
that sounds as if it were vetted by a panel of MOJO magazine
readers. Twenty-somethings show their appreciation for the
classics, particularly the classics that came from the West
Coast in the 60s.
What is striking to me about this record is the low level
pretension of the lyrics. Rock and roll has always been, in
large part, a platform for teenage and young adult expression.
Because...
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Eight Questions
for Greg Prevost, Chesterfield King
by Gary Pig Gold

The Chesterfield Kings, besides
most adroitly picking straight up where Between The Buttons
once left off, have gone and produced their very own
Monkee-worthy television spectacular Where Is The Chesterfield
King? , given The Pendletones a run for their sand dollar
with that ho-dad-stomping masterpiece Surfin Rampage,
provided no less than Mark Lindsay with his rough n
tumblest back-up combo since the Spirit of 67
Raiders themselves, and...
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Some
Cool and Not So Cool Music of 2003
by
John M. Borack

As
another year quickly draws to an end, I find myself with stacks
and stacks (and more stacks) of CDs that for some reason didn't
get reviewed. It's with this in mind that I present to you,
dear reader, some snapshot reviews of cool--and not so cool--
stuff that made its way into my CD player in 2003...
Swinger's The Walk
is a solid, jangly (and short - only 35 minutes) pop album,
with special harmonies from Mike McLaughlin and Rob Schulz
and a handful of great songs (cue "Mercy Mile" and
"Day By Day").
I believe that The Blakes
may have broken up, but their groovy New Tattoo five-song
EP was a hell of a swansong. Well...
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Further
Observations From a Jangly Music Fan
by
Eric Sorensen

I hope that all fellow jangle enthusiasts
and www.fufkin.com site readers enjoyed their Thanksgiving
holiday and all of you are ready to embrace the joyous spirit
that accompanies the forthcoming holiday season. Among the
new discs that have given me lots of listening pleasure during
the past month is an advance copy of the soon-to-be-released
Jamie Hoover/Bill Lloyd collaboration entitled Paparazzi.
These two gents have over five decades of combined experience
in the indie pop entertainment field, and their full-length
disc (to be released on the Paisley Pop label) will make an
excellent stocking stuffer for pop music fans. Jamie and Bill
both wear their Beatles influences on their...
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So
Much Music...too Little Time
by
Kevin Mathews

I think my year end list for 2003 is taking
shape - slowly but surely. Let me just say that the top three
positions will probably be Sumday
(Grandaddy), Yoko (Beulah)
and When I Pretend To Fall
(The Long Winters) in that order. These releases represent
to me the sonic achievements of the year, all headphone treats
where every nuance, every lick and every beat seems to be
deliberately crafted and fashioned to create emotional highs
(and lows) that resonate. Yes, I realize that there is still
a couple of weeks before we say goodbye to 2003 but barring
some last minute surprises, which is still a realistic possibility
considering the ton of music that I haven't had a chance to
listen to, I'm pretty much sure that these three fine...
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Cool
and Steady Winwood Returns to Claim his Legacy-Will the Breeze
Keep Blowing?
by Andrew Tarsy

If you were "of-age"
when the Spencer Davis Group made its mark and Traffic was
a seven-letter word for jam session, you probably can't help
think of Steve Winwood as a perpetual comeback act and somewhat
of a disappointment. The psychedelic, jazz-infused, brooding,
rhythmic and danceable anthems he created with these acts
and Blind Faith have endured, but the man himself has never
really tried to get back to the top of the mountain. He hasn't
disappeared either, and now 37 years after "Gimme Some
Lovin," Winwood has put together a new band, released
a spare, organ-loaded live studio recording with more rock
gravitas than the synth-pop into...
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2003 into 2004: Where
Do We Go From Here?
by David Fufkin

Most music lovers won't argue
with the abject pleasure of popping a new CD out of its jewel
case, placing it in the player and pulling the book out to
read the liners. I just purchased a Count V compilation on
Big Beat. Is there anything more enjoyable than reading Alec
Palao liner notes? Other than listening to the music, there
is nothing better.
It was the same with vinyl:
that big gatefold sleeve, the graphics: it was and will always
be a sensory experience. The truth is, however, that all of
that packaging, the one-stops, the retailers and the record
companies themselves have always placed their prices so that
everyone in the food chain could profit handsomely. The trip
between the sound recording and the consumer is filled with
tollbooths on a very expensive turnpike. The problem for the
bigger media companies who have grown fat with this business
model is that they have failed to realize that the model is
dead. We are just starting to understand that
it is about time to have a proper burial.
Sure,
the digital delivery model isn't...
MORE
>
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