May,
2005: Issue 43: Vol. V, No. 5
Mike
Bennett reviews the latest from Doleful
Lions, The Hold Steady, The Redwalls, The Sights and Flannelmouth.
Mike
also presents capsule reviews of releases by
British
Sea Power, Goodbye Blue Monday, Anders Parker, Dallas Orbiter,
a Bread tribute, The Capitol Years, The Plastic Cloud, Splendid,
The Shivers, Reverb, The Love Thugs and A Northern Chorus.
Mike also has his CD-R
of the Month.
Gary Glauber reviews the latest from The
Arts and Sciences and Dum Dog Run.
Michael
Lynch reviews the latest from The
Demands. Katherine Kim reviews the latest from Jason
Moran. Kurt Sampsel reviews a reissue
from The Blues
Magoos.
If
you are a first time visitor, visit our About
Us page. Click here for back
issues.
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The Subway Surfers Interview
by Michael Lynch

You've just released your first EP, and it sounds great.
Are you all happy with it?
FUZZCO: I think it's a terrific little package. Three great
pop tunes and a crazy sonic mash at the end. Recording the
EP has just wet my appetite to do MORE!
LARRY: It sounds better than I could have imagined. Dane at
Grisly Labs in Jersey City did an incredible job and the best
thing about working with him is he digs the music. Alan Douche's
mastering is the icing on the sonic cake. It's a great job
of capturing the Subway Surfers, especially the power of Fuzzco's
vocals, at that time and I can't wait to get in the studio
with Rocco and Doug.
Where was it done?
FUZZCO: The recording was done at Grisly Labs in Jersey City.
We totally lucked into finding that place, It was suggested
by Jeff Jefferson of the Swingin' Neckbreakers. As it...
MORE >
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Two
Book Reviews
by Katherine Kim
Can't Stop Won't
Stop: A History of the Hip-Hop Generation
by Jeff Chang
(St. Martin's Press)
www.stmartins.com
www.cantstopwontstop.com
Where You're At:
Notes from the Frontline of a Hip-Hop Planet
by Patrick Neate
(Riverhead Books)
www.riverheadbooks.com
www.whereyoureat.com

Hell was alive and kicking in the Bronx in
the 60's and 70's. Thriving in the mix were unemployment,
burning buildings, gang violence, racism and police brutality.
Then there was a gang peace treaty followed by a rise in community
activism. Activists were forming "organizations"
as opposed to "gangs." There was a message activists
wanted to get out to the youth in their communities. It was
a message about Black solidarity, about identity, about justice.
Some of the key messengers were DJ Kool Herc, Grandmaster
Flash, Afrika Bambaataa. Their vehicle was music and initially
both their message and music were not widely accepted outside
of the Bronx. This is the background from which hip-hop music
originated. Cut to 2004. The message is still political: "Vote
or Die." The messenger is P. Diddy, his vehicle is a
Bentley and the public cannot get enough of him, his clothing
line, his $35 million home, his wealth, his fame. It is this
phenomena that is researched and observed in two recent books
about hip-hop culture: Can't Stop Won't Stop: A History
of the Hip-Hop Generation by west coast hip-hop music
writer Jeff Chang and Where You're At: Notes from the Frontline
of a Hip-Hop Planet by British writer Patrick Neate.
This pair of books...
MORE
>
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Our Only Hope For
Winter: The Michael Mazzarella Interview
by Gary Pig Gold

One of the undeniable audio-visual highlights
of that otherwise bleak late 04/early 05 season was the arrival
in my mailbox, one promising morning indeed, of the latest
Michael Mazzarella disc.
Now, new offerings from this good man - be
they Rooks, solo, or otherwise - have for nigh on an entire
decade and counting been universally acclaimed as most welcome
additions to any discriminating music lover's cache. But this
latest release is something even more special: a full, living
colour DVD by Michael "with The Fellows of Mortimer,"
chronicling twenty-one numbers both familiar and fresh, newly
recorded and captured in a true, stunningly understated fly-on-the-wall
fashion worthy of Let It Be or, more aptly still, John
and Yoko's original Imagine video album.
In fact, even those...
MORE
>
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Rock 'n Roll Snobs: Admit
It, You're One, Aren't You?
by Mike Bennett

Rock and roll was a working class phenomenon.
It arose from hillbillies and sharecroppers, and it was animalistic
and sexual. It was all about the beat and whether you could
dance to it. But as country and blues and jazz and Western
Swing and folk all converged to become rock and roll, and
then become a music sensation in the 50s, snobs were
already entering the picture. Think about the movie Diner,
with the character who was an obsessive record collector in
1962.
Really, snobs are everywhere. Food snobs...
MORE
>
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My Career Was Saved by
the Internet!: The Louis Phillippe Interview
by Robert Pally

The new CD by Louis Philippe aka Philippe
Auclair, who has released albums since 1983, sounds like an
elegant and poetic breath. If you like Brian Wilson, Chanson,
Easy Listening, a touch of Jazz and suberb harmony vocals
you will love this frenchman. In the interview, he talks about
angry songs, his England, record labels and his ongoing love
for the swedish popband Eggstone.
Robert Pally: You seem to be very disillusioned
MORE
>
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So Much Music, So
Little Time
by Kevin Mathews

Please forgive me, faithful readers, as I
indulge in shameless self-promotion.
Still there
? OK.
Come May 12th, a humble Singaporean movie (cost - around US
$122,000) will open Directors Fortnight at the Cannes
Film Festival 2005. My good friend, Eric Khoo, directed and
co-wrote the film and I wrote the music. I did it as a personal
favour to Eric and after he showed me a very rough cut, I
was inspired to write what I hope is the soundscape that will
do justice to his artistic vision. To be honest, never in
my wildest imagination would I dream that this little movie
would grace the screens at Cannes but there you go. I understand
that...
MORE
>
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Further Observations From
a Jangly Musical Fan
by Eric Sorensen

April was highlighted by Roger McGuinn's
annual visit to the greater Washington, D.C. area for a solo
show at the Barns of Wolf Trap. Roger played 25 songs during
his set and encore, and he alternated between his signature
model Rickenbacker electric 12-string guitar, his signature
model Martin acoustic 12-string guitar and his Martin HD7RM
seven-string acoustic guitar. McGuinn made an effort to please
everyone in the audience by playing a number...
MORE
>
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The World is Round:
The Age of
Age
by Alan Haber

I've kind of been looking forward to my birthday
this year, as opposed to past years when I really didn't.
No reason in particular-just a general aversion to event-oriented,
calendar page turning. This year I'm turning 50, which is
a half-century to you and me, but especially me, unless you're
turning 50 too, in which case, happy birthday to you.
I've been looking forward to this year's
birthday because, well, I just want to get it over with and
done. I guess turning 50...
MORE >
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