Eric
Sorensen:
December,
2004
Further Observations
of a Jangly Music Fan
It's hard to believe, but it is December
again. Each year seems to pass by a little more quickly than
the last. The month of November was filled with excellent
live music
and plenty of new discs worthy of mention
in this column. On successive Saturday evenings, we were able
to see Tish Hinojosa (her first area performance in several
years) and the Kennedys (their first area performance after
the National elections; they opened with "Chimes Of Freedom,"
flashed "peace" signs, and shared some political
sentiments with the mostly "blue" Fairfax County
audience) at the smoke-free, 110-seat Jammin' Java in Vienna,
Virginia.
Less than a week after the Kennedys show,
we saw Lowen & Navarro at the smoke-free, 350-seat Barns
of Wolf Trap. Eric Lowen was recently diagnosed with ALS,
so it was a bittersweet event. Eric walked on stage with the
aid of a cane, and he remained seated throughout the performance
- with the exception of the trademark Lowen & Navarro
unplugged encore. Throughout the full band show, Eric and
Dan's vocal unison and guitar unison were spot-on. They expressed
a strong affection for this wonderful music venue, and it
was evident in their performance.
Here is a brief summary of the new discs
and tunes that have caught my ear this past month:
The new self-titled disc by the Melroys -
a roots-rock band that hails from St. Louis. I played this
disc for a friend, who thought they sounded a bit like Steady
Freddie Krc's Austin band, the Shakin' Apostles. I hear similarities
to the Phantom Limbs, the Volebeats, the V-Roys and Walter
Egan. The Melroys should appeal to fans of jangle'n'twang
country/pop/rock. Their jangling guitars are most prevalent
on "Top Of My World" and "Not That Kind Of
Guy." There are some big old classic 60s country guitar
riffs on "I Can't Forget" and "Where The Highway
Meets The Sky" that should also capture listener interest.
"Where The Good Ones Go" opens with a lead guitar
riff that is very reminiscent of Tom Petty's "I Won't
Back Down." From start to finish, this is one fine debut
disc!
Secrets About The Stars - by Seven
Color Sky. Strummy, jangly tracks abound on this disc by a
Pittsburgh area pop/rock quartet. The opening track has a
heavy, alt-rock feel to it, but most of the band's original
tunes favor a mainstream jangly pop quality - as evidenced
by ""Gone," "The Earnest Teen" and
"Anywhere You Fall." This is another debut disc
that is solid throughout its ten tracks.
Evolver - by the Thanes. A pop music
fan could collect this Scottish band's extensive back catalog,
or glady settle for this 27-song retrospective. I choose the
latter, since half of the material features chiming, ringing
guitars
and the entire disc showcases this band's ability
to recreate the garage-rock of the mid-60s. On a contemporary
basis, think Chesterfield Kings and Fortune & Maltese;
on a more dated basis, think Paul Revere & the Raiders,
Love, the Shadows of Knight, the Standells and a host of other
garage bands. My favorite two jangly tracks are "Lost
Or Found" and "Never Make Me Blue." You'll
dig the whole contents and agree with me that these guys know
how to make the most of a 74-minute CD!
Paisley Pop presents A Mess Of Favorites,
Volume 3. Jim Huie at Portland's Paisley Pop label is
still laboring away to bring primo indie pop to an appreciative
audience of listeners. Volume 3 in this series of FREE samplers
features 16 tracks by Paisley Pop artists. It should not surprise
readers of this column that tracks by Bobby Sutliff, the Trolleyvox,
Milkshake Jones and the Kingburys sparkle with jangly guitars!
Who We Are Instead - by Jars of Clay.
Jars of Clay may fall into the "inspirational pop"
genre of music, but their tight, melodic pop/rock has always
caught my attention - regardless of the lyrical content. Their
latest album should be competing for Top Forty airwave attention,
but it will probably suffer the fate share by other very talented
indie artists and go unheralded in the mainstream music community.
Thank goodness these guys are committed to their art! Tucked
into the original material on this album is a very fine strummy,
jangly version of America's "Lonely People" - with
wonderful vocals and mandolin flourishes. Well done, guys!
Songs About You - by Language Of Flowers.
Hummingbird fans, take heed! There may be a bit of fuzz to
this band's sound, but Tara Simpson's lead vocals and the
band's penchant for jangly guitars begs comparison to the
80s band from down under. "Who You're With" is a
chiming track that will compete for "Song Of The Month"
honors this month. "She's Gone Away," "Summer's
Been And Gone" and "Botanic Gardens" aren't
too far behind.
Two other bands that feature guitar-driven
pop and female vocals are Poor Valentino and the Trouble Dolls.
The former band's self-titled disc features some notable jangly
tracks - "Caroline" and "Wait." The Trouble
Dolls' Sticky album features a nice chiming track, "I
Don't Know Anything At All."
Switching from music to prose, musician Sam
Broussard (introduced to me by mutual friends Pete and Maura
Kennedy) has penned the following ode that sums up his sentiments
regarding our favorite instrument - the Rickenbacker 12-string
electric guitar. Here is Sam's poem:
Rickenbacker 12-String - Sam Broussard
In the eighth grade in '65
I always wanted to be in a cool band
with a Rickenbacker 12-string in my hand
and shape a thunder I could understand
this fine blond thing on my hip
strapped onto me with a leather strap
A confusion boat sailed in my blood
At my touch she`d chime a tone
like bells heard through ocean shells
and my heart would swell with devotion
They rowed to tambourines
With half of her obscured
there, the form of a ship in harbor
the sixties' dream of the future
or a fine close-up
of a hip cocked up
as the girl in the tub
tortures
me
I drew her curve in blackboard chalk
and this fine streamlined
f-hole design
not a hole not a hole
it was a comet etched in coal
I awoke twice
She was German she was blond
with curves that made 8th grade too long
She was there with the radio on
Dylan's mistress in Roger's hands
McGuinn when he was Jim
She`d play if you breathed on her neck
and whispered her name and number
She would rest against my chest
and music would come from her
Drops of glass shaped like tears
fell from liquid chandeliers
a spray of diamonds a midnight fountain
twelve half moons above six horizons
my hand curving into her waist
the arc of contact
the metallic taste
of tambourines
and haven't slept
yet
Amen to that, Sam!
Until next month, enjoy the holiday season
in safety and in the company of loved ones - and jangle on!
_________________________________________________________
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