Eric
Sorensen:
May,
2005
Further Observations
From A Jangly Music Fan
April was highlighted by Roger McGuinn's
annual visit to the greater Washington, D.C. area for a solo
show at the Barns of Wolf Trap. Roger played 25 songs during
his set and encore, and he alternated between his signature
model Rickenbacker electric 12-string guitar, his signature
model Martin acoustic 12-string guitar and his Martin HD7RM
seven-string acoustic guitar. McGuinn made an effort to please
everyone in the audience by playing a number of Byrds hit
songs, numerous Dylan-penned tunes and a number of folk standards
that he has featured on his Folk Den website.
Crowd screams accompanied Roger on "So
You Want To Be A Rock'n'Roll Star," and "I'll Feel
A Whole Lot Better" and "Knockin' On Heaven's Door"
generated lots of chorus vocals from the audience. There was
no better way to celebrate the 40th anniversary of the recording
of the Byrds' first album! Many artists have emulated Roger
since he captured public attention with the Byrds in the mid-60s,
and I have devoted much of my music library to collecting
Byrds-inspired jangly tunes. Here are some of the recent additions
to my music library that may interest the rest of you jangly
music enthusiasts:
"Song of the Month" honors go to
"Hun Kommer" by American Suitcase - as Byrdsian
a tune as one could ask for
with German lyrics! I mentioned
this song in last month's column, and it has stayed at the
top of my play list since I acquired the CD it appears on
- the two-CD, 46-track Planet of the Popboomerang Volume
2.
A close runner-up in the "Song of the
Month" category is "Would You Love Me Back Again"
on Tish Hinojosa's latest disc - A Heart Wide Open. This jangly,
listener-friendly song reminds me of her song "Destiny's
Gate" from the album by the same title. Tish grew up
in a Tex-Mex household listening to pop music on her mother's
AM radio; clearly, the radio channels she listened to played
lots of Byrds tunes! Gifted sideman and producer Marvin Dykhuis
also contributes heavily to the success of this "come
back" album. Long may you run, Miss Tish!
"Artist of the Month" accolades
go to the very talented David Grahame. I recently added Grahame's
Eric and Shout Heard 'Round The World to my
music library to complete my David Grahame disc collection.
The former disc is his most recent release of pop gems, and
the latter disc represents a studio effort from 1984 that
never reached the public until Sir David released it himself
on his Dog Turner Records label. While Eric is overflowing
with the catchy pop melodies that have helped David earn favorable
comparisons with Paul McCartney and Emmitt Rhodes, Shout Heard
'Round The World represents a snapshot of Grahame's singer/songwriter
talent in the early 80s. I could swear that I heard "Lay
It On The Line" and "All Of Me" on the radio
during that time period. Grahame's vocals on Shout merit comparison
with Paul Carrack, Glenn Frey and Eric Carmen songs from that
era. Seek out Grahame's The Power Station Sessions 1982-1986,
and I challenge you to find two better pop albums by the same
artist from that decade. Pop archivist John Borack is currently
working on a book to chronicle the Top 100 Power Pop albums
- I would certainly vote for Shout Heard 'Round The World
(and Grahame's first solo disc Toy Plane) to be a candidate
for this honor. If you love jangly tunes, the opening track
on Eric, "Out Of This World," will fulfill your
desire
right down to the chiming closing chords that
sound like the fade-out from the Beatles' "Eight Days
A Week." I may have said this several years ago, but
it bears repeating - David Grahame's body of work puts him
in a very select group of pop musicians who warrant "Pop
All Star" status. Long may you run, Sir David!
The "Album of the Month" award
goes to Russ Schneider for his very strong 20-song debut disc,
Friday Night, produced (and accompanied) by 12-string
guru Herb Eimerman. Schneider's disc should appeal to power
pop fans in general and pseudo-60s pop fans in particular.
With twenty tracks to choose from, there is no shortage of
songs that feature chiming, jangly riffs. Favorite songs include
"When I Fell In Love With You," "1969,"
"Don't Ask Why," "Summer Love" and "5
Part Movement In C." Eimerman's production, backing vocals
and instrumentals are notable. Let's hope that Russ and Herb
combine for an encore release! Friday Night is now
on my list of candidates for "Top Ten" honors in
2005.
Broadcast One - by the Capitals. "Tell
Me Your Secrets" is a tremendously catchy tune with plenty
of 12-string jangle
that reminds me of Javelin Boot.
"Someday" and "Fall Into Your Dreams"
are two other listener-friendly pseudo-60s tunes. The Canadian
pop scene should be proud of this band and disc!
Free Your Mind - by Frenzy. This disc
is chock full of strummy tunes that are reminiscent of Skooshny's
work. "Life's A Movie" adds some chiming electric
guitar to the acoustic strumming.
Music From Ed's House - by Haymaker.
This month's top jangle'n'twang alt-country/pop disc. Tunes
that glisten with bright guitars include "Morphine Pump"
"Tear Me Down" and "Uneasy Street." Think
of a more jangle-oriented band than the Bottle Rockets, and
top it off with vocals that sound like a cross between Warren
Zevon and Evan Dando. This combination of instruments and
vocals works quite well. Hope there's more where this came
from!
Modern Dating Tips - by Jensen Bell.
This is a very cool "concept" album (with some equally
cool cartoon graphics) that has ringing guitar riffs on many
of the tracks. The most chiming track is "Smoke And Perfume,"
but "Possible Jane Situation," "The Swear-Off
Song," "Happening" and "Her City's Got
A Train" are also bright and appealing pop tunes.
Unnoticed - by Jesse Sprinkle. This
is a solid power pop disc with crisp lyrics and melodies.
For added listener pleasure, the title track and "The
Rumor Of Happy Living" should catch jangleholics' ears.
Dum Dog Run - by Dum Dog Run. Thanks
go out to band member Rick Altizer who sent me a copy of this
excellent disc. Most of the 16 tracks are more rock than pop-oriented,
and many songs have a 70s Arena Rock feel to them. "Power
Ballad" sounds a bit like Supertramp's "Give A Little
Bit" at the start, and then it becomes more reminiscent
of the Greenberry Woods. If Thin Lizzy recorded power pop,
it might sound like Dum Dog Run!
Number 9 - by the Spongetones. The
latest power pop disc from Jamie Hoover and his bandmates
who are well-known for wearing their Beatles influences on
their sleeves. Those sleeves just got a little longer, and
the pop community is richer for it! The Rickenbacker guitars
are most pronounced on "I Dance To You."
While not necessarily jangly, Freddie Krc's
latest recording endeavor - Freddie Steady Go! by the
Freddie Steady 5 - features 16 cool cover songs of some of
Freddie's favorite tunes penned by Texas artists and two original
tunes. Krc (who was recently inducted into the Texas Music
Hall of Fame) does his state proud with versions of (among
others) Buddy Holly, Sam the Sham, Sir Douglas Quintet and
Bobby Fuller tunes. My personal favorite is Roky Erickson's
"You're Gonna Miss Me." Freddie Steady had the honor
of performing on stage with Roky not too long ago. Long may
you run, Sir Freddie!
Two recent tribute discs with catchy cover
tracks are A Little Bit Me, A Little Bit You: An Indie
Tribute to Neil Diamond and Friends And Lovers: Songs
of Bread. My favorite cuts from the Neil Diamond tribute
disc are "A Little Bit Me, A Little Bit You" by
Jeremy Morris, "Thank The Lord For The Nighttime"
by the Shambles and "Cherry, Cherry" by Danny Dean
& The Homewreckers. The top song on the Bread tribute
disc is Ken Stringfellow's version of "Down On My Knees."
Speaking of the Shambles, the prolific Bart
Mendoza has been busy with tribute tracks (including "Whatever
Happened To Saturday Night" for the forthcoming Buffalo
Springfield tribute disc), a kiddie track entitled "Wouldn't
You Like To Be A Bear?" for a San Diego fundraiser disc,
and other original tracks. With Bart busy in the recording
studio, no one should doubt whether pop music is alive and
well in San Diego!
Until next month, jangle on!
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