TAKE ME HOME













Mark Sanders
Review: September, 2004


Scroll down for Tanya Donelly

Tanya Donelly
Whiskey Tango Ghosts


(4AD)

www.4ad.com


Oh Tanya -- where did you go after Belly, the Grammy-nominated alternapop group you fronted in the mid-'90s, disbanded? Did you retire to an ashram to smoke copious amounts of pot, far from the caustic judgments of shameless music critics? What about the rumors of you becoming a yak herder in Tibet? Any truth to that?

For most fans of Belly (or Throwing Muses, or The Breeders, or any other project she's formerly been involved with), Ms. Donelly has been heaped onto the ever-growing number of carcasses of decade-old pop stars now absent from the limelight. Thankfully, Whiskey Tango Ghosts reassures us that the prolific songstress has continued doing what she does best -- penning impeccable lyrics and indelible melodies. Few of us grow up and mellow out so publicly, but like Elvis Costello, Donelly transcended the limits of her angry youth to make music better suited to Sunday afternoon housecleaning than to Saturday night troublemaking. Opening track "Divine Sweet Divide" is Donelly at her folksiest, with vocals that invite comparisons to Joni Mitchell and complemented by only a piano. Whiskey Tango Ghost's title track is similarly fluid, adding muted drum patterns, pedal steel guitar and sober lines like "You're just a freckle away/From changing everything." Donelly's ruminations are a reminder of what it was like to visit family after a few months away at college -- you love her, you've stuck with her for years -- but after being gone for so long, she's better taken in small doses.

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