Kurt
Sampsel:
May,
2005
The Blues Magoos
Basic Blues Magoos
(Mercury 1968/Repertoire 2004)
The story of The Blues Magoos' career is
much like a gunshot--starting off with a piercing, arresting
explosion, followed by a few reverberating echoes, and then
silence. Their second single for Mercury Records, "(We
Ain't Got) Nothin' Yet)", was a meteoric, Top-Five smash,
and their debut album, Psychedelic Lollipop, became
a commercial victory for the Magoos and a psych-rock primer
for everyone else, inspiring a glut of other young musicians.
But each succeeding record the band released sold fewer copies
and made less of an impression in the charts, transforming
the Magoos into a liability for Mercury, who dropped the band
in 1968. Their third album, Basic Blues Magoos, was
their last for Mercury and the last by the original lineup
of the group.
Along with dissention between the Magoos and their management,
the chart failure of Basic Blues Magoos spelled doom
for the band. In spite of its cursed fate, however, the album
is pretty strong, representing a sort of creative "branching
out". "Sybil Green (of the in Between)" is
a pleasant, steady pop-rock number, establishing the upbeat
rock style that resonates through most of the album. The album's
only cover song, "I Can Hear the Grass Grow", shows
that the boys had a real keenness for material choice, and
although they don't elaborate much on the original version
by UK hitmakers The Move, the Magoos still pull it off successfully.
"All the Better to See You With" is another uptempo
rocker, but the pace slows down for the pretty, psychedelic
ballad "Yellow Rose," which boasts some nice acoustic
guitar and an affecting vocal by Peppy Castro. "I Wanna
be There," the Magoos' last charting single, reflects
the infectious pop of their early singles, while "I Can
Move a Mountain" presents a more melodramatic, even soulful,
picture of the group.
"President's Council on Psychedelic Fitness" stands
out for its lighthearted satire, "Scarecrow's Love Affair"
for its silly paranoia and vocal effects, and "There
She Goes" for its accessible pop formula. A colossal
in-joke for the band, "Subliminal Sonic Laxative"
is nothing but a minute-long, low "D" note, which,
as the liner notes explicate, was once thought to have bowel-inspiring
properties. The Magoos saved the best for last, however, with
the stellar "Chicken Wire Lady", a rhythmic, psychedelic
rock 'n' roll showstopper with excellent guitar, bass, and
organ work. When all's said and done, though the music on
Basic Blues Magoos may not be as easily accessible
as their earlier material, it does include some interesting,
creative pieces. For this recent reissue from Repertoire,
added to the album's original twelve tracks are five bonus
cuts: four mono single mixes and both sides of a rare single
that the group released on Ganim Records while in the process
of splitting up for good.
This reissue also features interesting liner
notes from Mike Stax, who interviewed Peppy Castro for the
project. Following the breakup of the original group in 1968,
incidentally, singer Peppy Castro kept the Blues Magoos name
going with a new band, releasing the ABC-Dunhill albums Never
Goin' Back to Georgia and Gulf Coast Bound, which
are not without merit.
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