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Michael
Allen Potter:

August, 2004


Virginia MacNaughton
Levers Pulleys & Engines

(Paraphernalia)

virginiamacnaughton.com

The ten tracks on Virginia MacNaughton's Levers Pulleys & Engines range from stripped and intimate to lush and epic. The first stanza of the opening track, "Essentially Prey," accurately sets the mood for the rest of the album.

"Time and space have taught me to be patient
Your rejection makes more sense if I stay
But I can't be here long
This is my front line of defence until I see you again."

The angelic virtues and unforgivable wanderings of a nameless "you, you, you" are then enumerated with varying degrees of anger, resignation, and wonder for the duration of the entire disc.

If I didn't know better, I would have thought that "Anonymous" was a lost track from 'Til Tuesdays' first album. A deceptively simple piano ballad swells into a dark entreaty to an alcoholic object of affection to finally recognize the love before his or her eyes. MacNaughton's voice is strong and clear and her vocals combine with the deeply personal lyrics into something that sounds almost like Aimee Mann covering (or reinterpreting) Concrete Blonde's infamous "Joey." Lines like, "I don't mind the occasional/It's just the falling over I can't stand," combine with Ali Kane's gorgeous piano and string arrangements to produce one the most emotionally complex songs on the album. "Big Sky" surges and smashes its way up from a quiet intro into bombastic, yet somehow still reserved, refrains that are reminiscent of Michael Penn's signature hit, "No Myth."

MacNaughton was a student of music at Bretton Hall College, Leeds University, and her lyrics showcase a fierce intelligence, but she is at her best when she is at her least academic. "Shadow Me," sadly the last track on Levers Pulleys & Engines, smolders in its rich piano and big snare sound even before Virginia picks up her mic and belts out lyrics on a track that Tracey Thorn and Ben Watt will wish that they had recorded themselves if they haven't head it yet.

Shimmering, tumultuous, and deeply personal music from a talented British singer, songwriter, and musician, Levers Pulleys & Engines is the soundtrack to the Sunday morning after a big breakup.

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