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Robert Pally:
April, 2001: Part II
Reto
Burrell, a Swiss with English roots, started off in a Hardcore-Punk
band then moved to Alternative Rock. Now he is one of the
best Singer/Songwriters in Switzerland.
Your solo debut "Echo Park" took pretty long till it finally
came out. Why?
Well, actually I started recording the album end of 1999.
Then I got an interesting phone call from producer Pete Anderson
(Dwight Yoakam, Michelle Shoked,…), who wanted me to record
an album on his own label Little Dog Records. So we decided
to begin the recording from the top. But after a couple of
weeks, the production failed because of contractual agreements.
The contract he wanted me to sign with Little Dog Records,
was way beyond a standard independent contract (option for
8 more albums, no advances). So I passed. Spring 2000 – back
home – I started the album all over again. Now, it finally
got released all over Europe on the German Roots-Rock label
Blue Rose Records.
From what time period are the songs?
The oldest songs on "Echo Park" dates from 1996. I played
most of the songs several times live, and performed them in
front of different people. I had the opportunity to check
out their feed-backs. That’s what made the final track-list.
The latest songs on the album I wrote 1999.
What
are you trying to say in your lyrics?
I kinda like to write without using my head. Just lay myself
on the bottom of emotions. Let the song choose its story.
The songs are about individuality - believing in what you
do - trying to get along – and of course about the never ending
tales of love. I always try to keep ‘em simple and straight.
What are your musical influences?
At the moment I’m fascinated about old Country Music. I like
it’s honesty, how it’s not trying to climb up the billboard.
Maybe it’s a silent protest against the music industry. As
I’m more a guitar-rockhead than a cowboy, I love to mix it
all in one. And that’s why I have a lot of great harmonies
in the vocals and still an edgy guitar twang in my songs.
But
of course there are a few of great singer/songwriters like
Steve Earle, Tom Petty or Ryan Adams, who inspired me a lot
when writing songs.
Which one is your favourite song on "Echo Park", and what
is it about?
My
favourite tune …hm, hard to tell. "High Or Low". I wrote it
10 minutes before I went out to catch a local concert with
my friends. It’s about me, floating through life – being in
the middle of high and low. The Ups make you smile, the Downs
make you stronger and should keep you going on.
How did you get on the renowned German label Blue Rose
Records, that you share with artists like Todd Thibaud, Steve
Wynn, Iain Matthews?
Well, here in Switzerland no record companies were interested
in me at that time. I guess they didn’t know where I was going.
They always react very late. And I had contact with Blue Rose
for quite a while. Sending demo recordings and stuff like
that. I always was very excited about them, and their releases.
So, after my adventurous journey to the states, we made the
deal.
Tell me about your musical background.
At
the age of 15 I started playing in a Hardcore-Punk band. With
20, me and some guys started Släm, where I began singing as
well. We liked Nirvana, Pearl Jam and bands like that and
tried to fit in with them. At that time when we had more band
member fights than rehearsing or playing concerts. I started
thinking about going solo. As I always loved to write songs
with the acoustic guitar, I asked myself: why not keep it
there . And so my songwriting got better, so did my voice,
and here I am.
What
is your oldest memory hearing a band and thinking "Wow, that’s
great! I wanna do that too!"
Yesterday,
when I had rehearsal with my band! Just kidding….! Let me
see, I guess I was about 11 years old. An older guy from school
came along with the Bryan Adams "Cuts like a knife" record.
When I heard it, I went crazy. I started to dream, I could
write songs like him and perform them to impress the older
guys from school.
With your band Släm you have been on a major label. What
did you learn in this time?
I
learned, that sharing ideas when marketing a band, was very
hard to stick to, without losing it’s individuality. I learned,
that it’s not the songs they wanna sell. It’s more pushing
a product into a trend. But I’m in it for the songs. So, there
you go. I don’t wanna blame all majors. It’s just, I didn’t
had a great time on the one Släm was signed to.
You started off with Hardcore-Punk, and later Grungy Rock
before you finally landed on a Roots-Rock label. Quite a crusade.
How come?
Well,
as I said, the reason why or how I write songs is the same
as I always have. It’s just, that I have more to tell now.
I learned to express myself. I played a lot of concerts, met
a lot of people, seen a lot of different places. I can’t force
what I’m doing and I don’t even try to. I guess, I am and
I do what life wants me to do. As simple as that.
Was there something that was always important for you,
no matter what style you played?
Yes, it always had to be real. No fakes. I hate people who
try to act like someone else and forget who they are. I mean,
of course it’s easier not to be yourself. But it’s boring
and not what counts. So, if you wanna tell a story, tell yours!
That’s what I’m interested in. Maybe this attitude lays more
sticks and stones in my way. But as I said, it’s gotta be
real.
You are great live. What do you wanna give the people when
you’re on stage?
A good time! Me and my band love to play concerts, and we
always play ‘em, as if it would be the last thing we could
do. The happiness of the audience and their feedbacks are
very important for me, don’t matter how many people are at
the club..
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Robert
Pally: The Linus of Hollywood Interview
Robert
Pally: The Louis Phillippe Interview
Robert
Pally: The Sun Interview
Robert
Pally: The Splitsville Interview
Robert
Pally: The Margo Guryan Interview
E-mail
Robert
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