Robert
Pally :
January,
2006
The October Cherries
Interview
Robert Pally: How long had the Surfers exist
before they changed their name to The October Cherries in
1968?
Jay Shotam: 3 years
Robert Pally: How did the Surfers come together?
Jay Shotam: The original October Cherries
member Benny was in that band. His cousin Paul ran the band
and was the bass player. I stumbled into a rehearsal session
and was invited by the five piece band (including a singer)
to come along for gig. The band then replaced their original
singer with me. The Band was then bought over by my brother
Bal. In those days the manager was the person who financed
the equipment and got gigs for the band. He took over Hire
Purchase repayments on
Instalments , (equipment bought through a finance company)
after paying of a basic Purchase price for equipment already
paid for installments for excellent equipment the band had.
Paul left the band and I took over playing the bass and singing.
The lead guitarist then left the band for a more stable job
in the postoffice, and the band auditioned
several guitarists and took Peter a budding guitarist from
Kuala Lumpur, Malaya into the Band.The drummer was replaced
by Sunny Ismail.This four piece band was still called The
Surfer.
Robert Pally: The Surfers were obvisouly
a Surfband. Did they only do covers?
Jay Shotam: No. I wrote material for the
band as well.
Robert Pally: Was it more common for Singaporian bands to
do covers in the sixties?
Jay Shotam: Yes, but also their own stuff.
Robert Pally: Was there also a scene that
mixed US and UK music with the singaporian music?
Jay Shotam: The western music scene in singapore
comprised only of UK and US music. You must note that being
a british colony the official unsaid language was English
and you had English broadcasting stations and we were all
English educated.
Robert Pally: How much was the name October Cherries influencd
by the US and UK psych movement?
Jay Shotam: It was in the air. You couldnt
help but be part of that energy.
Robert Pally: Andrew Lloyd Weber apparently used and modified
your song "Far away now" to "Don't cry for
me argentina". How came that together?
Jay Shotam:
"Far Away Now" was on the first October cherries
LP entitled
"Meet the cheeries", a copy of which was given to
Dick James (President of Dick James Music, in the UK, a big
name in the Music industry -Publisher, manager of Artists
etc.). He liked the Band's songwriting ability. In the early
seventies when our Manager Bal Shotam visited him to try and
get a publishing tie up. Dick James commented on a nother
track on the LP called "Na na song"
and said that it might be suitable for a new artist he had
called Elton John. Nothing transpired. But Bal recalls a another
person who was with Dick and him, who heard the songs on the
demo tapes. "Far Away now" was on that album, and
if you (according to Bal) study the notation and structre
of "Don't cry for me argentina" you will see a uncanny
resembalance to "Far Away Now".
Robert Pally: Soon after you changed the name to October Cherries
you started your own
label Baal Records. What had happened?
Jay Shotam: We asked EMI to release our records
in Europe. They said it is not possible in white territory.
It sounded absured and we were flumuxoed at this reply. We
wanted records released in Europe. Our manager Bal found the
legal hole in the contract. We were signed as a band "The
Surfers". Changing the name got us out of the contract.
It was a risk as the Surfers had a name and hand outsold the
Beatles "Hey Jude" recording with their "Hooray
for Hazel" song. (EMI EP release).
Robert Pally: How come you named your label after a kaanian
god?
Jay Shotam: Bal suggest BAAL. (He is actually
the fifth October Cherries member in many ways).
Yes, he had mentioned that it was a Gods name from the ancients.
Today we can see a resemblance of BAAL to BAL.
Robert Pally: I read that there was a lot
of records piracy going on. Can you give me an example for
that?
Jay Shotam: It was herendous. We sold 12
milion records. Did not see a cent. All in piracy sales.We
were clamouring for legislation. The asian mind set at that
time was that all this music was yellow culture, and anti
civilization. We were told by the establisment "why do
you want to do music for a living. Find some thing else to
do". Also.."Piracy is a cheap form of entertainment
for the masses. Why up things." The former line was actuall
said by a minister of culture in that region who actuall went
on to become a President of a country.
Robert Pally: How did you fight against that?
Jay Shotam: Baal Records was a member of
the IFPI (The International Federation of the Phonogram Industry;
The music and recording industry international watchdog body).We
tired to use external pressure.Jimmy Carter only knew about
peanuts. Slow changes came abouyt after the advent of Reaganism,
and we all know where his roots are.
Robert Pally: Did the situation improve then?
Jay Shotam: A whole generation of musicians
like the October Cherries were wiped out. Survival was hard
but we took it in stride, and moved to Europe. The situation
has not imporoved. Only white washed. To a larger extent countries
like Thailand, Malaysia encouraged radio stations and music
was played freely and evolved freely. Many of the big musican
names are financially well off in these countries.
Robert Pally: How much different was your music in the 70ties
from your Beatles influenced music in the 60ties?
Jay Shotam: For me, the Beatles influced
me greatly.
Robert Pally: So the changes in your music
were just an natural progession of your Beatles influences?
Jay Shotam: The indicivudal members of the
band had their own
Musical influences. I guess it is not wrong to say that The
songwriters in our group (Peter and I) were using the benchmark
success of the Beatles, who we (the songwriters) had a personal
liking for..
Robert Pally: Did you have a similar status
like the Beatles in Singapore?
Jay Shotam: In sales yes.
In popularity no. There was no media hype readily available
as it was post independent days (independence from the British)
and the policies of the people in governance did not
Embrace "pop culture" to the effect that there were
no redily available media for showcasing information about
groups and bands.
Robert Pally: I have this single "Endlessly" from
the late 70ties that has a New Wave touch. When arrived Punk
and New Wave in Singapore?
Jay Shotam: I was living in England and did
a reunion with Peter, and two English blokes (drums and guitar).
Punk and New wave had an underground following in spore.
Robert Pally: Also in the 70ties you covered the Danyel Gerard
song "Butterfly". Was
there a commercial side of the October Cherries that was needed
to pay the bills?
Jay Shotam: Yes, also we didn't feel revulsed
to playing good music. The are no genres when it comes to
ingredients in music.
Robert Pally: What was your most successful cover and how
many did you sell of it?
Jay Shotam: "Beautiful Sunday"
and Butterfly.. Peter sang the song. As I mentioned the pirates
always made the money. The band members think the manager
swindeled them.
Robert Pally: What was your most successful own song and how
many did you sell of it?
Jay Shotam: "Far Away Now". Number
1 in Malaysia. (Pirated) and "All Things work together
Now" (Number 10 in the dutch charts) .
Robert Pally: What happend to the band in the 80ties? In the
discography i don't see
any albums.
Jay Shotam: The Band split up after doing
a tour of India in early seventies. Peter got an offer to
join the Pebbles, a Belgium band and he left the group mid
tour.
Robert Pally: How did the band reform to release the album
"The bells toll" in 1998.
Jay Shotam: I spearheaded the move. Peter
had written some songs and I had some of my own and we dished
it out. I sold a house to finance the recording. It has never
been realesed. The record company is useing tracks to test
market internet marketing grounds.
Robert Pally: Were all original members involved in this reunion?
Jay Shotam: Yes , Peter, me Richard and Benny
and our manager/producer Bal.
Robert Pally: How many albums have you released
in total? Do you have a complete discography?
Jay Shotam: Here it is:
1.as Surfers-The Surfers EMI
2 as Octrober Cherries "Meet the Cherries (on own label
BAAL)
3. as October Cherries (OC)
"World Hits 1970"
4. October Cherries "World Hits 71"
5. October Cherries: "World Hits 72"
6. October Cherries "Dreamseller"
7. as Funkgus "Man with a Gun"
8. as Funkgus "Assasination"
9 as Jade and Pepper "Jade and Pepper"
10 as October Cheries "Baking Hot"
1l. as October Cherries not released yet
& about three Best of albums.
and about 4 EP records and 15 other singles.
www.octobercherries.com
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