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Kevin Mathews:
November,
2003
So Much Music, So
Little Time
Ooh, how time flies
here we are thinking
about the blockbuster movies coming out at the end of the
year. The one I'm looking out for is The Return of the
King and if the trailer is any indication, this final
installment could be the best one yet. Speaking of last chapters,
I am also thinking about The Matrix Revolutions even
though I thought Reloaded was a tad disappointing.
Musically, the September deluge passed me by somewhat and
I still haven't found the time to pick up new albums by Spiritualized,
Super Furry Animals, The Thrills, Guided by Voices et al.
Here's an idea of what I have been listening to though.
Eve Selis Do You Know
Me (Hot) Here's a factoid for ya
- over at the Eve Selis page at MP3.com (www.mp3.com/eveselis)
go ahead, I can wait
- Selis has managed over a million
downloads - incredible isn't it! Even more amazing is the
powerful country folk-blues Selis conjures with her superior
songwriting and excellent vocal performances. I've got to
confess that country music has seldom sounded so energized
and so dynamic. It's time you got to know Eve Selis. www.eveselis.com
Buzzcocks Buzzcocks
(Merge) One blistering punk rock classic after another greets
the unsuspecting fan from this wonderful new album from these
'old-school' punk vets. Who else from the class of '77 is
still able to deliver such pumping tunes? Tracks like the
hyper-kinetic "Jerk," the Deep Purple-evoking "Driving
You Insane," dynamic "Keep On," powerpoppin'
"Sick City Sometimes" and surf-rockin' "Certain
Move" loudly declare that the Buzzcocks are back and
here to stay!
Hot Socky Hot Socky
(BilltownUSA) Infectious power pop like the kind Hot Socky
delivers needs no second invitation. Hot Socky covers the
sort of ground you might expect, from the Kinksy jaunt of
"Meltdown" to the Cheap Tricky crunch of "Believe,"
from the XTC edgy "Cali Easy Listening" to the Fountains
of Wayne-ish geeky charm of "Power Down," Hot
Socky is recommended listening for all you melodic guitar
poppers out there. www.hotsocky.com
Ten Benson Benson Burner
(Jetset) Songs with promising names like "Tits"
and "Dark Forces," gnarled treated vocals and big
dumb Keef riffs make for an uplifting decadent rock experience.
I'm sorry but I'm not a fan of monotony. So sue me. www.jetset.com
Chains In The Shed Chains
In The Shed (Siloh) The product
of one Nathan Daniel Limbaugh, Chains In The Shed is
a turgid exercise in limp indie rock. Well, all right, there's
a glimmer of a groove in "Hottest Sauce in the World"
but the rest of this is tedium. www.siloh.com
Adam McIntyre Rockstars
& Superheroes (Headphone Treats)
Meet Adam, neither a rockstar nor a superhero, but his brand
of classic rock truisms will thrill you nonetheless. It's
relatively understated (it's a homemade cookie) but the discerning
rock listener will pick up enough hooks and chops to justify
the investigation. www.headphonetreats.com
The Like Young Looked Up Plus Four
(Kittridge) A 5 track EP that showcases Like Young's geeky
emo-tinged indie guitar rock. Okay, so imagined a less produced
Weezer or a less poppy Fountains of Wayne. Never mind if drummer
Amanda can't hold a tune on "Freddy," the delights
of "Looked Up" and "Threshold Person"
more than compensate. www.kittnet.com
Toshack Highway vs. Sianspheric
Magnetic Morning/Aspirin Age
(Sonic Unyon) A little odd split release basically 2 separate
EPs combined. Adam Franklin's Toshack Highway eschews guitar
pyrotechnics without sacrificing his trademark atmospheric
pop credentials. A strong effort. As is the case with Sianspheric
who rises up to the challenge with aplomb and in the gorgeous
"Beneath the Ocean Floor" surpasses its more illustrious
partner. Heady chords patterns and ethereal ambience coupled
with knowing rock dynamics (eg. "This All Happened")
mark Sianspheric's half. Highly recommended. www.sonicunyon.com
Jesse Eubanks The Harmony
of (Self-released)
Eubanks is adept at mixing modern rock elements with the rustic
quality of country-folk, which while maintaining the 'cool'
quotient delivers a heartfelt vibe that is so crucial. A great
introduction, pity it's so short. www.jesseeubanks.homestead.com
Genetic Habit From Outside
(BigO) This Singaporean quartet manages to splice together
many diverse influences - the corporate rock meets electronica
hybrid of the opening "Living" is a good indication
of where Genetic Habit is coming from. The slick jazzy soul
funk "From Outside" actually attempts to address
all the world's problems whilst the slightly overwrought ballad
"Saturated" aims rather incongruously for radioplay.
The rest of From Outside is similarly challenging (especially
the attempts at rap) - only the seriously curious need apply.
www.bigo.com.sg
The Long Winters When
I Pretend To Fall (Barsuk) This
rather remarkable album from singer-songwriter John Roderick
and co has not seen much press thus far and that is a mystery
but it's up there with the best of 2003 i.e. Grandaddy and
Beulah. Embracing such diverse influences as the Blue Nile,
Brian Wilson, Stevie Wonder, Neil Young, the Byrds, REM, Gram
Parsons and so on, this classy debut expresses an intelligent
musical force that deserves recognition. www.barsuk.com
Lovetap Lovetap
(Self-released) There's an irrelevant bonus DVD that comes
with this release. Please ignore it. The album itself is a
fair approximation of melodic modern-day pop-rock, enough
sugar to keep the gurls happy and the right guitar lines to
maintain the guy's attention. Only just. www.lovetapmusic.com
Barely Pink Last Day of
Summer (Not Lame) A Not Lame release
comes with a certain level of expectation and rightly so.
Oh, it's good old fashioned power pop in the traditional sense
so you more or less know what's coming and that's the caveat.
It's a tad too predictable and that's all right if that's
what you're looking for. Me, I could have done with a little
more distinct personality from Barely Pink. www.notlame.com
Glassbyrd Open Wide This
Window (Word) Marc Byrd and Christine
Glass demonstrate a pleasing combination of their considerable
talents to produce a worshipful, reverent and ultimately joyous
album. With the evident influences of Peter Gabriel, U2 and
delirious, songs like the thoughtful "Tonight,"
the folky "Weight of the World," the atmospheric
"Jesus You Are Beautiful" and "God of Wonders"
provide the high points. www.wordrecords.com
Stereophonics You Gotta
Go There To Come Back (V2) You
gotta laugh! Not intent on 'borrowing' The Jam's sense of
working class punk ethos, chief Stereophonic Kelly Jones has,
with this latest release, attempted to parlay Paul Weller's
rock 'n' soul approximations but only succeeds into presenting
a retro-chic knockoff reminiscent of Lenny Kravitz! Okay,
so full marks for perspiration if not inspiration but do we
really need a Bad Company for the new millennium? www.v2.com
Glenn Hansen Him
(Self-released) This self-produced, self-released disc is
no vanity project - Hansen has consistently poured heart and
soul into every track to deliver provoking lyrics and sophisticated
music that often recalls the neo-prog rock of Porcupine Tree,
Spock's Beard and Marillion. www.glennhansenmusic.com
Dwight Sleeptalking
(Fierce Rabbit) Pereira fancies himself a serious singer-songwriter-poet
and most of this competent album bears that out. The music
is sophisticated and slick with production values to match.
Elements of jazz, funk and new age dominate the ten tracks
and so guitar pop-rock fans need not bother. If there is a
reservation, it is the occasional wordiness that rears its
ugly head. However, highlights like the lively "Maybe
This Will be the One" where Pereira actually sounds like
Cher (!), the assured balladic "Less" and the impressive
title track make Sleeptalkingone for the curious. info@fierce-rabbit.com
info@fierce-rabbit.com
Singapore Sling The Curse
of Singapore Sling (Stinky) Hailing
from Iceland (now perhaps the hottest music scene on the planet!
Think: Sigur Ros and Leaves), Singapore Sling utilize a wide
range of influences from the Sixties to the modern era, from
the Velvet Underground, MC5, the Stooges, Suicide, Echo &
the Bunnymen, Joy Division, My Bloody Valentine, Primal Scream,
JMC and BMRC. Highlights include the visceral "Overdriver,"
the driving single "Listen" and the darkly atmospherix
"Chantisissity." www.stinkyrecords.com
Frank Bango The Unstudied
Sea (Sincere) Artists like Frank
Bango should be lauded for bringing intelligence and elegance
into the amorphous creature that is modern rock and pop music.
Thus, stellar material like the "A Clear Eye For Daisy,"
"Are You Now Or Have You Ever Been," "Always
Looking Up" share a stripped down quality where strings
weave in and out to provide emotional ambience and atmosphere.
www.sincererecording.com
The Violet Burning This
is the Moment(Northern) The Violet
Burning's latest release is one the year's strongest, encapsulating
the passionate inspirations of 80s post-punk and 90s indie
pop whilst still remaining relevant in the new millennium.
Essential listening for 2003. www.thevioletburning.com
Fiel Garvie Leave Me Out
Of This (Self-released) Fragile.
Thoughtful. Waiflike. Breathy. Vaguely anthemic. A contrast
in styles. Fiel Garvie succeed in conveying mood and tone,
the kind one feels at dusk. Liberating yet constrained. File
under idiosyncratic Britpop. www.fielgarvie.com
Lazy Essentially
(Slumbertone) Joel Bell and Pete Pagonis are Lazy. Both don't
let that fool you cos the kind of clever, edgy, accessible
pop music on show here only comes through hard work and no
small amount of inspiration. Fans of XTC, the Nines, the Egyptians,
Jellyfish and the Tories will get Lazy without any difficulty.
www.lazymusicproject.com
$ign Of 4 Dancing With
St. Peter (Track) Yes, I realize
that this was the kind of macho cock-rock I probably would
have listened to in my teenage years (and in truth, I think
I must possess a couple of LPs by $O4's singer Phil Mogg's
former outfit UFO) but along with 80s new wave, this brand
of music is pretty much passé. Nothing much to recommend
this album with unless you're hankering for third rate Led
Zep/Deep Purple knock-offs. www.trackrecords.tv
The Cloudsmen The Cloudsmen
(Self released) The Cloudsmen, I believe know the high powerpop
standards they're trying to emulate so tracks like the beaty
"Heat Score," the cod-psychedelic "House of
Cards" and especially the dynamic "Window"
show signs of promise though there's still work to be done.
As a statement of intent, this is a good start. www.thecloudsmen.com
Joy Electric The Tick
Tock Treasury (Tooth & Nail)
Ronnie Martin has been soldiering on with vintage electronics
(and eschewing modern-day computer gadgetry) for some time
now and the results are often mixed. I mean, it's not really
rock 'n' roll and is strongly reminiscent of 80s electro-pop's
finest moments so presumably fans of that particular era would
certainly lap this up. www.toothandnail.com
Fountains of Wayne Welcome
Interstate Managers (S-Curve) Sixteen
tracks that fairly encapsulate FOW's personal musical tastes
(and every single sophisticated pop listener on planet earth
- that includes you), which makes this third FOW album a breath
of fresh air in the petrified stench that is the modern music
scene. If you're reading this, I assume you already own this
fab effort if not
www.fountainsofwayne.com
Whew! And still I see the CDs piling up on
my desktop! Guess we'll have to wait for December won't we?
See you in 30
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