Michael Lynch: June, 2001
Say What?
About
ten years ago I wrote a song called "Crashed." The song, a
patchwork of a whole bunch of bits I "borrowed" from Neil
Young (even the title came about as a reply to his title "Expecting
To Fly") tells the story of myself trying to get with a certain
girl. Unfortunately, she slips away, and my chance, I feel,
is gone forever. "No way I know to find her," I say, before
taking a few more lines to moan and groan about my loss, and
how I'll never ever see this girl again. Well, in the last
verse, I address some unspecified person and say "I know you're
gonna see her. Please tell me what she's under." Poetic, I
thought. Kind of like dying words. I was proud of the way
it all wrapped up. But something never occurred to me until
a friend heard the song and pointed it out. "It doesn't make
sense," he said. "First you say you have no idea how to ever
find this girl again, and you sulk your mind away in the process.
But then you talk about some guy who is going to see her.
Why can't he hook you back up with her?"
After pushing him out the window, I realized he was absolutely
right. I had unintentionally left a bit of a hole in the lyrics.
I felt kind of stupid about it. But as years went by, I realized
that there are a good number of songs by established artists
that also have lyrics that somehow do not make much sense.
And I'm not even talking about things like "Someone left the
cake out in the rain." No, there's nothing here that can be
excused by "Poetic License." I'm talking about lyrics that
are supposed to be straightforward but that for some reason
irk me. They could be illogical. They may contradict another
line in the song. The point is, they make me think "Say WHAT?"
Now to be fair, I must say that some of these I take too literally,
and I understand they could be open for different interpretations,
but we'll put that to the side for now.
So here is Say WHAT? Volume One!
"Seasons In The Sun" - Terry Jacks
This one has always intrigued me, and I cannot believe I've
never heard anyone else point this out. "We've known each
other since we were nine or ten," says the vocalist. A few
lines later, though, we hear that together he and his friend
"Learned of love and ABC's." They didn't learn the alphabet
until age nine or ten? Reading is fundamental, my friend.
(By the way, we've all heard the famous tape of Casey Kasem
exploding about playing a record "about a f***ing dog dying,"
right? Anyone know if Casey's ever had a comment about this
single's B-side, "Put The Bone In?")
"Shout Shout (Knock Yourself Out)" - Ernie Maresca
While it never bothered me that this rock and roll record
sounded like it was sung by a 60 year old man who just came
from the pub, I do have trouble following the lyrics of this
one. What day of the week is this song taking place? At one
point Ernie says "It's Saturday night and we're having a time."
But later in the song he tells us "School was out about a
quarter to three." Maybe Ernie and his friends Joe, in the
corner, and Mary had to do a Breakfast Club style Saturday
detention?
"Can't You Hear My Heartbeat" - Herman's Hermits
Peter gets a feeling that's "ooh-wee" every time he sees that
girl. And he sees her all over the place, such as "In the
park or walking down the highway." Uh, walking down the highway?
Who goes walking down a highway? Unless her car broke down,
or something.
"Free As A Bird" - Several Beatles
Every time I hear this song (which I've always nicknamed 'Three
and a Third' because that's how many of the four Beatles are
on it) I want to ask John, as soon as he gets off the telephone
or whatever he's singing through, "Well if being free as a
bird is the next best thing to be, what is THE best thing
to be?"
"My Obsession" - The Rolling Stones
Though the songwriting praise critics bestow on the Stones
usually goes toward their riffs and grooves, the overlooked
truth is that in the 1960's they also had quite an uncanny
knack for lyrics. They often found clever ways of expressing
very simple ideas and thoughts without the words themselves
being too simple, but also without ever letting their lyrics
get too pompous. They didn't say "Leave me alone." They said
"Get Off Of My Cloud." They didn't ask "Can't you think for
yourself?" They asked "Who's Driving Your Plane?" They didn't
say to sneering authority figures "What makes you think you're
better than we are?" They said "Can YOU Walk On Water?" (Unfortunately,
they apparently could, and told the group "Thou shalt not
release a record with that title," and pressure forced Mick
to sink like a...) Even when they came out with peculiar titles
like "Have You Seen Your Mother, Baby, Standing In The Shadow?"
you just knew, before even hearing it, that it wasn't going
to be anything too deep, and that they'd let you know what
it was all about, unlike, say, "Strawberry Fields Forever."
Almost all of the time, listeners knew exactly what Mick was
saying.
But at least once, the lyrics got as cloudy as the room they
recorded in. On Between The Buttons, Mick addressed
his obsession and tries to talk her into spending the night,
err, some time together. But roughly how old is this girl?
Mick sings "Didn't see you were so young." Okay, she's younger
than Mick. But then Blubber Lips says "I could almost be your
son." Excuse me? There's something amiss here. While I'm still
not sure what to make of it all, I'm quite prepared to wager
Bill Wyman had something to do with this.
(I've since been told that the actual line is. "I didn't see
you. I'M so young." But I had already spent too much time
on the above paragraphs to simply throw them away)
"Judy's
Turn To Cry" - Lesley Gore
Now let me get this straight...Little Lesley is bummed out
because in Chapter One that no-good Judy took Johnny away
from her. And on her birthday, no less. So now, Lesley plans
revenge. She simply grabs some innocent guy sitting nearby
and minding his own business and starts kissing him just to
make Johnny jealous. It works. Johnny comes over and gives
a knuckle sandwich to the guy and takes Lesley back, and she's
happy once more, and that's the happy ending the song fades
out on. What the hell is with THAT? Is Lesley that much of
a bitch that it means nothing to her if some poor guy who
did nothing wrong but just happened to be in the wrong place
at the wrong time now has a few less teeth and a few less
pints of blood just so she could get her cheating boyfriend
back? Good Lord! And we're busy kicking and screaming about
Enimen?
"Busy
Doin' Nothing" - The Beach Boys
For many many years, Brian Wilson has been the subject of
much praise, and I back most of it up. If people want to speak
of Pet Sounds as a milestone in musical history, I'm
with them. If someone gives a speech about the brilliance
of "Good Vibrations" I'll be there to bob my head every few
seconds. But when people speak of the lyrics of "Busy Doin'
Nothing" as genius, which I have heard more than a few people
do, I'm out the door. Several times in his career, Brian has
showed a talent for making ordinary lyrics come across with
beauty. The words of "Lonely Sea," for instance, could have
been written by a fifth grader, but somehow Brian makes them
sound intense. But on "Busy Doin' Nothing," even the pleasant
samba rhythm (or is that bossa-nova? If you know, and if you
think it really matters in this case, write me.) And pleasant
melody cannot save these lines about sharpening pencils and
meditating so he can remember a telephone number. Here's the
part that amazes me, though (in a matter of speaking.) Brian
writes a letter to his friend asking him/her to come over
(giving a set of directions but not giving a starting point).
It all boils down to Brian basically saying "You can come
over. You might come over. You might not come over. And even
if you are coming over, I don't even know if you're coming
over today, because I don't know what day you're going to
get this letter. But nonetheless, I'm just gonna sit in my
house and wait for you to come by." Honestly, Brian, even
"I'm Bugged At My Old Man" was more cohesive than that.
"Then He Kissed Me" - The Ronettes
"I
didn't know what else to do when he whispered 'I love you.'
So I said that I loved him too." Now there's a meaningful
expression of love, if it's being said by a girl simply because
she can't think of anything else to say. Ronnie, you should
have called me, and I could have given you some suggestions.
I would have told you what some girls have said/done to me
when I told them I loved them.
"Purple Shades" - The Troggs
Reg
tries to paint a picture of this nightmarish frightening sight.
Yes, folks, run for cover! They're coming! Run, don't walk!
Beware of the…"Bamboo butterflies, twice their normal size!"
HELP!! Oh blimey. Think of the size of your average butterfly.
Now multiply it by two. Are you still afraid? I'd be more
afraid of the next Troggs' single. (At least the liner note
writer of the Sequel Pop-Psych collection Paisley Pop
agreed with me on this one, also making light of Reg's lyrics).
"Wake
Up Little Suzie" - The Everly Brothers
Oh no, Suzie and at least one of those nice Everly boys (maybe
both) fell asleep during a boring movie and didn't wake up
until early morning, six hours past little Suzie's curfew,
so they'd better get home real soon so their fathers can yell
at them before leaving for work. But that's the least of their
worries, it seems. According to Phil and Don, "Our reputation
is shot." And what reputation is that, may I ask? Did Suzie
and Ev have a reputation for their punctuality? A reputation
for not falling asleep during movies? Yes, I'm not so naïve
and clueless that I don't know what kind of reputation can
really come from staying out all night with a girl, but would
any teenage boy really be dreading that? Hell, no. He'd wear
that one like a school letter. Reputation shot? Dude, your
reputation is about to absolutely soar, buddy!
"Leader Of The Pack" - The Shangri-La's.
It
couldn't have been much of a pack this guy was leading if
he hangs out in candy stores.
"Since I've Been Lovin' You" - Led Zeppelin
"Working everyday from seven to eleven really makes life a
drag" moans Robert Plant. You wuss. Can't you handle a four
hour workday? Does it cut into your spare time of hanging
out with Jimmy finding songs by other people to steal and
give yourself songwriting credit for? (Okay, I know he's most
likely singing about a 16 hour work day rather than a 4 hour
day. But I ask you to please not take away from me any chance
to diss Led Zeppelin.)
"Kitty Can" - The Bee Gees
Barry has a problem. He has two girlfriends (tough life, huh?)
and in the fine tradition of "Two Lovers," "Did You Ever Have
To Make Up Your Mind" and "Look Out (Here Comes Tomorrow)"
he must choose one and leave the other behind. Should he go
with Eve or should he choose Kitty? As described, Kitty is
a picture of happiness, of a thousand golden daffodils (that's
a good thing, right?) Eve, on the other hand, gives off negative
vibes and never pleases him.
So
one girl is always good and the other is always bad, and you're
trying to decide which one to stay with? Jeepers, Barry. This
isn't a Mary versus Sandra type decision.
"On My Way Home" - The Herd
Peter Frampton sings lead on this song about all the people
and places he has seen while walking home. We hear of a clumsy
bicyclist, a hot babe driving a car, and chalk marks on the
wall (which I misinterpreted on my first hearing as "chipmunks
on the lawn."). Midway through the song, Peter puts the narrative
of this exciting journey on temporary hold to ask us "Have
you been wondering why I am always walking home?" Well actually,
no, Peter, I have not. In fact I don't imagine anyone would
wonder why someone only 16 years old, and too young to drive,
is walking home.
There
are others I'm sure I'm forgetting. I'm
sure they will come to mind about two minutes after I submit
this piece. But should they pile up, I'll gladly collect them
for a future Fufkin. And perhaps YOU have a particular favorite
"Say WHAT." Is there a particular song with some sort of illogical
line or contradiction, or some kind of hole? Drop me a line
here at Fufkin, and I'll gladly consider including yours as
well. Please try to keep your suggestions limited to songs
no later than the early 1970's. Any submissions from "MacArthur
Park" will not be considered.
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