Kurt Hernon Review: July, 2001
The Capitol Years
Meet Yr Acres
(Full
Frame)
Unsure of who the fuck Shai, Son of Eli is (credited with
every last scrap of work on this platter), this queer little
bending of pop craft came highly recommended by an acquaintance
who, from the sharp sounds of his own band, seemed trustworthy.
At first I wasn't so sure though. Maybe it was the growling
hum of my lawn mower (first listen: pushing the Craftsman
250 around the lawn, walkman on) drowning out nuances.
Or maybe it was my salty disposition (it was hot as Hades,
I was dragging ass through an enormous eighth hour of hanging
over). But whatever it was, the lifted Petty pretend of Shai
groaning "here comes my giiirl" ("Here Comes") seemed a bit,
um, forced if not entirely sad. I turned the damn thing off.
Then a few days later I turned it back on - and BAM! - I figured
the thing out, hearing its quiet, soft edges for the first
time. Meet Yr Acres, it turns out, is a high wire act
of quiet pop that stays as smart as it does subtle.
Seems
Eli's boy Shai has a little George Harrison predilection that
he power washes with Chilton-at-the-edge acoustic pop sadness
that so many others take stabs at and fail so miserably. I
nearly lose it when I here this kid do the CSN&Y smoking Mama
and the Papas leftovers version of the Velv Undergrounds "All
Tomorrow's Parties". But I quickly cool down when I dig the
mood and figure this boy has as good a grip on the Underground's
essence as any baker's dozen of influence-citing nitwits who
proclaim Cale, Reed, Morrison, and Tucker as the Father, Son,
and Holy Ghost of all thing sub-modern. As far as tastes go
Meet Yr Acres is all black licorice, and we all know
how that goes; love it or hate it, no in-betweens. I got a
taste for the shit, so call me Kurt, adopted son of no one.
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