Kurt
Hernon:
February,
2002
Reflections on Mortality and Why I Write About Music: Fear and Loathing
in Cleveland, Ohio
A brown Jay Gatsby. It is a simple line that will forever mercilessly
haunt me. A brown Jay Gatsby. Simple words. Hunter S. Thompson
wrote those words in an astonishingly lyrical essay about Muhammad Ali -
nearly thirty years ago. And now Ive returned to them, one of the
many, many times I have, in search of something - and they still only haunt
me. Like a brown Jay Gatsby. Those words, the very heart of
the piece; the core of a poetic series of Thompson paragraphs that, in a
mere eight hundred words or so, damn near perfectly defined the pedantic
complexities of our American lives, our dreams, our fears, our joys, and
our shame. Like a brown Jay Gatsby, damn that line! Like
a brown Jay Gatsby are the words that sent me off into this writing
life, leaving me no trail upon which to ever escape. Damn those words. They
can make a man crazy.
So youre told that your father has cancer and you find yourself
sliding into a funk. Deep. Slipping. Then youre irritated by the
funk because it - the cancer that is - isnt necessarily an irrevocable
death sentence. In fact the outlook, or prognosis as the professionals
call it, is good to very good. But the funk lingers. And maybe it should.
Maybe you are human after all. Maybe life is finite. Maybe that is something,
despite all of your intellectualism, which you never really cared to believe.
So you start to think a bit about your dad. Your old man. You think about
how you might not have always agreed with him. You think about how you
might have been harder on yourself because he was so hard on you. You
think about the stamp hes left on you - in you - and all around
you. And youre confused because it isnt all bad or it isnt
all good but you probably wouldnt change any of it because life
would be hollow. And all that happens is that damn blue cloud just gets
thicker and thicker.
So you turn to the things that you feel you can control. So you sit down
to write something. You sit. You wait. You sit some more. So you pluck
at the keys - sjdjfivoaoejvfjoeju88kidncjc - wondering why you cant
even think. Wondering if you might never write again. So you start to
think who the fuck cares if I ever write again. And then you
agree with yourself. So you look at the keyboard and the letters fade
away. Then you look at the screen and the only thing colder and emptier
is your mind.
So you type some small words. Hello you. And you think it might help you
go somewhere. But you get nowhere. So you glance up at the clock. Shit,
its 7:45 already. So you realize that youve been sitting
and sitting and sitting, and now an hour and a half have passed and you
dont know where the fuck it went. You dont even know what
you were thinking about or how time slipped away. And you start to think
about the Willie Nelson song and you think it isnt so funny how
it slips away. Not now. Then you get mad at yourself for even thinking
about that song.
So you look up to the clock like its just lied to you and now it
says 8:03. And now you know its lying. So you try and shake yourself
out of this haze and you get up and figure fuck it to writing
anything right now - and maybe ever again. So you start to think maybe
youll just stop. Maybe youll just never write anything again.
Maybe, if you never wrote another feeble word, just maybe, nobody would
even notice.
So then you move around a little bit, trying to convince yourself that
its just things. And you are as confused by this vague
lie to yourself as you are about everything else. Things.
So you try and think with more clarity, you struggle to put some sense
together. So you think that youre just feeling shitty and that you
really love to write but circumstances have kidnapped your mind for now
and you cant get going and that maybeyouneedtojustgobacktothosethingsthatgotyoualljackeduptowriteinthefirstplace.
So you take a deep breath and try to slow your mind down. Your chest heaves
as it fills and collapses as you exhale and when you come around you realize
that youve been standing in front of a window with your hands in
your pockets and you are staring out into the gray dusk of winter while
your fingers massage some soft piece of lint that feels like it might
just be the most significant thing in your life right NOW.
And now you feel so pathetic. You feel like some sort of overly dramatic
skunk that youd always used to think so little of.
Those things. The one that always get you going. The reasons for your
writing. The reasons for living. Those are the things that you need to
turn to.
So you grab a book and you put on some music. You turn to the tried and
true, or something new. Hunter Thompsons brown Gatsby, Dave
Brubecks Time Out. Thompson damn near makes you cry - and
leaves you feeling woefully inadequate. Brubeck makes you wretch. Too
much thinking. Far too much thinking.
But you know that you dig this Brubeck but that he aint gonna help
right now. So you toss the Thompson book onto a pile of others and you
slip the Brubeck back into its sleeve and you just stand there. And you
stand. And you stand.
And you curse your old man, or rather the cancer that, as youve
been told, isnt really such a big deal. But you never believe.
So you start to wonder if music really is it. You start to think youve
duped yourself for too many seasons. So you think you need to find this
out now. So you start tearing through your records, tapes, compact discs,
whatever...
And you still hate the way that sounds: compact disc. And you start to
hate the way that you think so arrogantly about things like compact discs.
So you pick out some music that you think will pick you up. You try some
sounds that seem spiritual to you because you think that maybe that is
what you have lost along the way. Im Alone in the Wilderness.
So you play it, hoping that a little nascent reggae religiosity will do
what youve thought it has done before. And you just stand there.
And stare. So you take the disc out and put it back into its case. And
you stare some more at the cover with its soft Afro-pastels and a man
raising his fist to the heavens. A gesture of defiant optimism you
think. One that you cannot share. One that, perhaps, youve never,
ever really shared.
So you turn to other songs, other sounds. Sounds that had always saved
you before. Snowstorm Another Day and they sound
like a funeral. Your funeral. And your mind leaves you for awhile. And
nothing feels better.
So you grab some drink and you start ripping through your music. You slide
black vinyl from sleeves, silver plastic from cases, white cassettes from
oblivion, and then you do it some more. Records pile onto records. Sleeves
litter the floors. CDs pile up on bookshelves, books, and stereo
components. Cassettes get hurled into the box from whence they came. And
you do it over, and over, and over. And you start to sweat, youre
moving so fast. And nothing works. And you get manic. And you start to
wonder what you can do
who you can be without your music. And you
sweat some more. And you pant. And you start to feel like crying.
So you stop and stand amongst your sounds strewn about your feet. And
you realize that you are drenched. So you think to yourself that this
is what its like to go crazy. This is what its like to lose your
mind. But you think that you cant be losing your mind because you
wouldnt think about losing your mind. Would you? Would you? Would
you?
So you grab some more beer and try some more music. And you tear your
shirt off because you feel so hot. So goddamn hot. And that doesnt
help. And you are convinced that you are on fire. Its so damn hot.
And you see the drops drip from your chin. And you taste them as they
stream from your forehead into your mouth. And the salty drink tastes
good. And you wash it away with more beer.
And you dig for something. You dig deep. And you hope for something, anything,
to come along and make it all feel all right. Something thatll cool
you down. Thatll bring you back. And you keep going through your
records. And you hold them. And you feel them. And you adore them.
And you are on your knees putting another record on the turntable and
you think about how this is the way your mom taught you to pray when you
were so small. On your knees, beside your bed, at night, for your soul.
And you think that is exactly what you are doing right now - praying.
And you are.
And then it happens. Communion. An old record, one you hardly noticed
was playing, starts to burn through the clouds surrounding you. And its
something youd never have picked out, anything that youd have
ever thought to lean on for solace.
So you find yourself listening to this obscure pop record from your teens.
The Peter Emmett Story. And you think about how it was wrapped in so much
mystery when you were young. And how it was some unknown cat playing some
semi-know tunes written and performed by a well-known regional band called
the Cruisers whod been the band behind a local star named Donnie
Iris who youd always dug as a kid. And then you recall someone telling
you that the record was actually a one-off stab at contemporary stardom
by ex-local star of a generation ago Sonny Geraci. You remember how that
record got you digging through garage sale and thrift store bins for Geracis
former band The Outsiders and how when you found one how fucking ecstatic
you were and how you were even more thrilled when you spun it and dug
it.
So you start to remember what the music held for you and what it still
holds. And you find yourself playing the Emmett record twice and smiling.
And you think about how it sounds so good right now. Almost as good as
back then. And then you start to feel like it is back then
all over again. And you grab another beer and drink it. And you sing with
the songs. And you remember every last word to every last song. And for
some reason that makes you smile. And thats something you hadnt
done in awhile.
So you start to think fuck cancer. Even if it isnt serious,
or what if it is? And you realize that it doesnt matter. And you
think about how your old man loved music too. And how he turned you onto
it whether he knows it or not. Not overtly but rather through some mystery
like osmosis. And you hate using that word
osmosis
but it works.
And you think about listening to Loretta Lynn, Buck Owens, Merle Haggard,
Dave Brubeck, Ahmad Jamaal, and even the Harmonicats while driving in
the car. And you remember getting lost in those songs. And you smile.
So youre thankful now for your music and your beer and your books
and your writing and the brown Jay Gatsby and even your funk that brought
you back around to understanding - for now. And youre thankful for
your old man. And you hate that damn cancer but it doesnt seem so
daunting anymore. And you smile. And you swig from your tin can and sing
along to another song. And youre still surprised that you know all
of the words. And you feel saved once again. And you dont know if
it was the sweat or the beer or the music. And you dont really care.
And you turn up the volume.
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