Alan Haber:
The World is Round:
May, 2004
Which Way Do We
Go, George?
The last couple of months I've been talking
about censorship and how it's just about going to cripple
our nation, if we don't get ourselves first. I'd like to remind
you that there is this thing called an on/off, or power, switch,
which you can press any old time you don't want to be "offended."
And now, with that out of the way, I would like to say that
charity begins at home.
In other words, you are what you eat. You
have the power to forge ahead or stay behind. Don't let other
people tell you what to do. Think for yourself
which
is easy sometimes, and sometimes not so easy.
Say you come to a crossroads out in the desert.
It's the middle of nowhere, it's 4 a.m., it's raining, your
name is, inexplicably, George, and the top on your car won't
come up. Plus, you've forgotten how to get where you're going.
With nary a landmark to guide you, you find yourself at a
four-stop-sign intersection somewhere in the great blue yonder.
Just as you pull up, so do three other cars, all of which
are the same model as yours (a 1962 Dodge Dart, black, bench
seat, go-by-the-grace-of-God engine and tires as bald as an
8-ball). You start to feel vaguely psychedelic. Which of these
cars is mine?, you ask. Then you look for the answer in the
faces of the other three drivers, all of whom look exactly
like you. Your whole life flashes in front of your glazed
eyes. You consider flooring the gas, but think better of it
when you start adding up the cost of repairs in your rain-soaked
head. So you get out of your car, look around you as you turn
around in a complete circle, and you take a short, rubbery
walk to one of the other drivers. He is also getting soaked
and is vaguely nervous about meeting you under such odd circumstances.
You going nowhere, too?, he asks. You stutter knowingly. That
seems to be the case, you say, but I'd rather have my head
screwed on straight. And then you wake up from your nightmare,
shivering because you think your head is wet and you feel
like you're catching cold. You wrap a blanket around your
head, or is it a towel? Hard to say, but you soak up the supposed
moisture anyway. And then you wake up again.
Now, say you are a music lover and you're
on the prowl for a great album you've never heard before.
You ask everyone you know about this album, but nobody knows
what you're talking about. Must be pretty obscure. So you
scour the Internet for anything you can find out about this
masterpiece, but you don't find anything. Nobody in any of
those crazy newsgroups even knows what you're talking about.
So you find yourself at a crossroads. Where do you go from
here?
Let's say you're the president of a big record
company. You've had maybe two big releases in the past year.
Your stockholders are breathing down your neck. Do something
or look for another job, they say, their hot breath scalding
your epidermis. What do you do? You turn to your fellow record
company executives, who profess that they, too, have been
the recipients of hot, scalding breath of late, and they're
in the same boat you are. They join you at the crossroads,
in the desert of night, the rain beating down on them, and
wonder just what it is they can do to get the sunshine to
cut through the clouds.
So, the question is: What do you have in
common with the record company executives that bonds the lot
of you? You have decisions to make. You want to get where
you're going, and they want to find a way to take you there.
Say you're the kind of person who buys, rather
than trades, music. (Come to think of it, you're a buyer,
anyway, because you're more likely than not to buy something
you've heard as the result of a trade than you are if you
just saw a CD in a store and came to a crossroads about whether
to buy it or not.) You have a choice as to how you're going
to buy a particular CD. You can get your friend to burn a
copy for you and take the music for a test drive and then
buy it if you like it, or you can listen to a 30 second sound
sample on the Internet and buy the album, or just a particular
song from that album, if you like it. Or you can buy the actual
CD, either over the Net or in the old-fashioned brick-and-mortar
way.
Which way do you choose to go? Well, you
have a few more choices to make. If you're only going to listen
to music at home, a CD is probably the way to go, but wait-what
if you're the type of person who hooks his MP3 player up to
his stereo instead of fussing with CDs? Well, if you're that
type of person, you can have the physical CD for the purpose
of looking at the packaging and credits and rip the music
to your player. But what if you don't care who wrote the songs,
or who produced them, or what the name of the artist's manager
is? Then you can just download the album from iTunes or Rhapsody
or one of the myriad services that specialize in this sort
of thing.
Now, what if you don't have an MP3 player?
Well, then a CD is for you. But, wait-there's more! Maybe
you don't listen to CDs in your living room or play them in
your computer's CD player. Maybe you just listen to music
that's stored on your computer, that you've paid for and downloaded.
In that case, you really don't need the CD.
But what if you're the type who's fickle
and changes his mind every so often? Maybe you'll start getting
into physical CDs again, liking the feel of that comfy couch
over that ever stiffer computer chair. Maybe you ought to
buy the CD after all.
Ah, choices. What do you do?
Well, the record companies have had to make
the choice to start offering their wares as downloads because
the public has wrapped their ever-loving arms around MP3 players
like they're going clean out of style. Perhaps you have one.
Don't have any use for one? You say you don't listen to music
in the house, or in the car? Do you jog? Work out at the exercise
club? One of those snazzy new mini-iPods that you can wear
on your arm might be just what the exercise guru ordered.
You might just want a player to jog with, or for those long
walks that get your heart pumping.
What do you do?
Choices are a bitch. You might well pay less
for a CD in the form of a bulk download than you will at the
store, but then you wouldn't have the experience they used
to call "browsing," where you go into a music store
for a particular CD only to find yourself thumbing through
the stacks and finding a couple of other releases you really
have to have. Or simply buying something you didn't know was
out, and it's really going to mean much more to you than what
you went in for, so you buy it. It's a kind of thrilling feeling,
when you trip over something really great. You can kind-of
"trip" over albums "thumbing through the stacks"
on the Internet-say at the iTunes store-but it's really not
the same thing, is it?
The answer to that question depends on how
old you are, and what your experiences have taught you. When
I was a kid, we just had vinyl, and there was a certain and
immediate thrill to thumbing through stacks and stacks of
albums, traded in by everyone from kids to little old ladies
from Pasadena to DJs whose personal music inventory would
swell each time a shipment came into their radio station from
any and all record companies. Lugging those finds home, you
wouldn't worry that you were suddenly poor again. You had
all of this gold to listen to.
In other words, it was work, back in the
day, hunting for Emitt Rhodes' American Dream album (I found
it in a cutout bin in some long-forgotten record store in
New York City, I believe). Now, it's almost too easy to find
what you're looking for. Anyone with even a half-assed mastery
of keyword searches can find just about anything with a couple
of keystrokes. It's as easy as 1-2-3, at two in the afternoon
or two in the morning.
But, on the other hand, it is easier to find
what you're looking for, and that turns out to be a good thing,
saving you countless flaps of shoe leather and time you probably
need for doing something else. Like answering all of these
questions I've just put forth.
We grapple with questions every day. What
do I have for lunch? What's for dinner? Do I turn left at
the light, or right? Should I tell my coworker that she's
pissing me off? Should I finish reading my book tonight, or
wait until tomorrow?
The answer, as the Quiet Beatles once said,
is at the end. It's when you meet your hopes and dreams at
the crossroads and decide which way to go. As far as music
is concerned, it's still too early to tell which direction
will tell the tale. Everything is changing so fast. A couple
of years ago, the idea of carrying around a tiny hard drive
and listening to music on the run was unthinkable. Now, not
so.
We are at a crossroads, people-you and me
and the record companies and the artists who record for them.
Which way we go will define our future music-filled lives.
I don't know how it will all turn out, but I do know one thing:
I'm going nowhere without my umbrella. In case it rains in
the middle of the night, out in the great blue yonder.
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