David Fufkin: November,
2003
Elliott
Smith: 1969-2003: Trying To Make Sense of That Which Makes
No Sense
I
pondered how I might approach the subject of the tragic suicide
of Elliott Smith and part of me felt like saying nothing might
be the best route. Whatever can be said is at best a cliche
and trivializes a life lost too soon. Truly, the man left
a legacy in his music that will never die. The few like Elliott,
Chris Bell and Nick Drake will live forever in that way. At
least, hopefully, for Elliott, the demons are finally silenced.
Many
were touched by Elliott's music; many more seem to have opinions
on the whys and the what ifs. We can't answer the whys. The
what ifs are speculation. So, the best I felt I could do was
compile some web links of those, including Beck and others,
who have eloquently put into words their
experience of Elliott both professionally and personally.
I link to his
biography. I link to a beautiful
gallery of Elliott Smith photos compiled by a woman who
summoned the strength to fight bone cancer because of the
power of Smith's music. I link to an Elliott
Smith message board in case you want to share how you
feel about Elliott's passing. Finally, I link to internet
resources on suicide
and depression, in case any of you or a family member
is affected by the insidious disease of depression, a disease
whose grip slowly tightens around your neck unless you get
some help. One of those links is to a
site run by Bev Cobain, a cousin of the late Kurt Cobain.
As
a fan, all one can contribute to the Elliott Smith aftermath
is one's experience of his music. Simply, my opinion is that
Smith's music was as important as masters such as Chris Bell
and Nick Drake. I loved his music. It touched me because
it was subtle, sophisticated and starkly real. Like Cobain,
Elliott was a lone wolf on a major label, carrying for many
the torch that seems to barely glimmer with hope that there
are people still in power in the music business that will
get behind real artists.
I, for one, will not try to make sense of
that which makes no sense. Not even six more repeat plays
of "Bled White" will help me figure it out.
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