Lane
Campbell:
Reviews:
May,
2002
Scroll down for a review of the latest from Cary Hudson
My Morning Jacket
At Dawn
(Darla)
http://mymorningjacket.com
Fronted by 23-year old singer and songwriter Jim James,
this Louisville five-piece stretches wide and far, incorporating
late-60s pop, early-70s country rock, and late-90s indie rock
into its sound, and the results are, at times, stunning. At
Dawn is the bands second release, following in the
wake of the warmly-received Tennessee Fire from 1999.
Obviously
raised on a diet of classic rock, James also draws from other,
not-so-obvious influences including the vocal phrasings of
David Gates and the rustic simplisticity of Comes a Time-era
Neil Young.
While
Hopefully recalls the aforementioned Neil Young,
with its basic rhythm and haunting vocal, and Phone
Went West conjures up Bread with balls, elsewhere on
the record the band notches it up, ultimately coming across
as a high adrenaline Grandaddy-meets-the Jayhawks.
Impressively,
the aforementioned James writes like a seasoned pro, discussing
tired relationships (Wishing youd get better/then
Id get rid of you) on Just Because I Do,
and idolatry (Its just the way that he sings/not
the words that he says/or the band) on The Way
That He Sings.
The
pure jubilance of Just Because I Do seems to indicate
the singer takes joy in dismissing his partner, rather than
empathy. When he screams that he saw it in a letter
you wonder how someone set to do something so cruel could
possibly be so buoyant about it.
While
there are points on the record when the pace gets a little
plodding, overall the energy level remains high, and Jamess
knack for melody is unquestioned. Its a country record,
a rock record, and a pop record. Sometimes its confusing
as you attempt to decide which it wants to be, but then you
realize it doesnt matter. Its a great record.
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Cary
Hudson
The Phoenix
(Black Dog)
http://caryhudson.com
Long-admired
as leader of the Oxford, MS alt-country outfit Blue Mountain,
Cary Hudson has packed his bags, headed south to Hattiesburg
and formed a new band, a three-piece which includes Justin
Showah on bass and Ted Gainey on guitar. The Phoenix
is his first solo record, after four records with Blue Mountain,
widely recognized as one of the leading torch-bearers of 90s
alt-country.
While
light on the driving anthems that littered Blue Mountains
records (Soul Sister, from Dog Days, or
Babe from Homegrown), the record contains
a number of winning moments, particularly the gorgeous Lovin
Touch, which laments the absence of a reliable sidekick
in ones life (If I ever find me a girl like that/
Ill kick off my shoes and dance on my hat). On
the title track, the melody lopes along as Hudson muses on
lifes fate (Why does a tramp pass out on the tracks/in
the path of a train?). A blues cover, Gods Dont
Never Change by Blind Willie Johnson, allows Hudson
to show off his lead chops.
Heavy
reliance on wah-wah guitar and bluesy harp threatens to drag
the album down at times, but the beautiful ballads ground
the record, making it a nice glimpse of the direction in which
Hudson appears headed. Its the mellow moments that stand
out, and Hudsons assured voice lends a beauty to these
tracks. Hudsons been writing songs for quite some time
now, so its no surprise that he sounds assured, while
exploratory on the record. He may be seeking a new direction,
but he knows the path he needs to follow to get there.
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