John
M. Borack:
March,
2003
Whats The Scoop?
It
sucks. Plain and simple, it just fucking sucks.
No, Im not talking about Paul McCartneys last record (although
that description certainly fits). Im talking about a death that
hit the pop community recently, and one that hit way too close to home.
Rick
McBrien, guitarist/raconteur extraordinaire from the Cleveland-area combo
Paranoid Lovesick, passed away unexpectedly at his home on February 7th.
Rick was only 34 years old and father to a three month-old daughter, so
the whole thing is tragic in about five different ways.
While
I can't claim to have known Rick all that well (just through instant messages
and e-mail conversations over the past 5-6 years), the news hit me hard,
especially being the father of two young children myself. It's a damn
shame that Rick's beautiful daughter Catherine is going to have to grow
up without her dad by her side, but I'm sure that his loved ones will
never let his memory fade.
Rick
had an amazingly caustic and unique sense of humor, and one that I truly
appreciated. Reading his stuff on various AOL music folders often made
me bust a gut laughing. He was honest, a good man, and one who wasnt
afraid to say exactly what was on his mind. The world could use more guys
like Rick. R.I.P., my friend
Been
listening to Wizzard Brew, a rather tasty collection from the Japanese
Wizzard in Vinyl label, which includes a mish-mash of popsongs from around
the globe. Some of this stuff has seen release previously (like Martin
Luther Lennons incredibly powerful and ridiculously catchy I
Own the World), while other tracks are exclusive to this collection,
such as Cloud Elevens gentle Green Grass Sunny Day,
Eytan Mirskys jingly and jangly Beautiful Inside and
American Suitcases simply perfect Starfucker. Oh, P76
Bram
Tchaikovsky would like his Girl of My Dreams guitar riff back
when youre done borrowing it for Headed Straight for the Sun.
Speaking
of jingly and jangly-like stuff, a disc that would have made my top 20
of last year (had I compiled one) has also been getting some heavy rotation
around here---Blue Cartoons The Wonder of it All. Despite
the fact that the quartet looks as if they should all be in different
bands, musically they mesh perfectly to spin a web of heavenly, guitar-enriched
tuneage that never fails to please.
Velvet
Crushs Soft Sounds surely is
and aint nothing
wrong with that. Its Chastain and Menck laid bare and prettying
it up for a dozen feather-lite cuts, including a cover of Fleetwood Macs
Save Me a Place.
Andrew
(his last name is Sandoval, but he goes with the single name thing, much
like Cher, Bono and Lassie) has unleashed Happily Ever After on
Vibro-Phonic Records. Its a five-song offering of pop-lite, made
palatable by the fact that Sandoval can write a good choon; unfortunately,
the boy cant sing em with anything resembling style
The second installment of Sound Asleep Records Home Runs - Songs
Thatll Take You All the Way has just been released, and its
another corker. Subtitled North American Pop From 75 - 85,
its jammed with 20 prime slices of good ol American power
pop, which Ive long been a total sucker for. Im particularly
partial to The Dawgs Shot of Your Love (Plimsoulsmania!),
Tom Stevens rootsy Just One Night With You, Beat Rodeos
Mimi (one of Steve Almaas best-ever) and the Poppees
and the rampant Beatleisms of If She Cries. Essential for
fans of the genre, especially those who dont have the $$$ to snap
up the now-costly original 45s.
The
Lasts L.A. Explosion has recently been reissued on CD by
Bomp, and its fortified by six rare bonus cuts, as well as Joe Noltes
enlightening liner notes. One of the most loved of the first wave of L.A.
power pop records, it includes the stone classic Every Summer Day.
Next
month: a look at Bubblegum Motherfucker Favorites, a simply stunning
compendium of rarer-than-hell bubblegum tracks from the 60s and
70s
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