Mike
Bennett:
March,
2002
Remembering Sweet and Mick Tucker
I don't know if every major music junkie can identify what
turned them from appreciating music to out-and-out loving
it. But I can. Most of the music in my household came from
my dad's 8-track player (Johnny Cash, Jim Croce, Merle Haggard,
Tom Jones and, of course, Mac Davis) and the clock radio I
received as a gift for my First Communion. Music was definitely
a part of my early years - who could resist Top 40 radio,
stringing together Paul McCartney's "My Love" with
"Hocus Pocus" by Focus followed by Vicki Lawrence's
"The Night the Lights went Out in Georgia"?
But one song flipped a switch in my brain, and I haven't been
the same ever since. I was listening to WLS, AM 890, in 1975,
when I first heard it (no, I don't remember the exact day
- do I come off like THAT much of a geek?) - the tune was
pure mania, a frenzy that encapsulated rock and roll in four
minutes. The song was "Ballroom Blitz" by Sweet.
Though I had a few records in a tiny collection - a Ronco
compilation, a Jackson Five LP, a few 45s - they were all
gifts. But the pounding bedlam of "Ballroom Blitz"
made me save my allowance for a few weeks, and ask my mom
to drive me to K-Mart (hey, I was only 10 years old) and buy
the 45. The song then got constant play for the next two weeks
or so, until my four year old sister managed to crack it.
So "Ballroom Blitz" became the second single I ever
bought.
And it's still my favorite song. After hearing "Fox on
the Run", the Desolation Boulevard album became
my make-or-break Christmas gift. I got it and I was hooked
- a Sweet fan for life. This had a significant impact on my
development as a rock fan. While Sweet managed a couple more
hits, they never became Stateside stars. So while my friends
were digging their Led Zeppelin, Lynyrd Skynyrd and Aerosmith
albums (which were fine), I was always checking the S bin
to see if Sweet had a new album out. In fact, "Action"
was the first record I ever bought without having heard it
- boy, did that establish a pattern.
Since the band didn't make it big, I began looking for books
and articles on them, and that took effort. Once in a while
I'd find a British book, and I began learning about other
glam bands that didn't make it over here. While it would be
years before I picked up on Slade and others, seeds were planted.
By affiliating myself with a group that never became U.S.
stars, I had to dig and search, even (gasp!) buying import
albums. Sweet - the band that made a collector out of me.
Unfortunately, I was a bit too young to see them during their
heyday, other than a couple of television appearances. It
wasn't until 1990 that I got to see them live - well half
the band, as guitarist Andy Scott cobbled together a line
up (and he still has some version of Sweet on the road now)
to tour the States. The show was booked at the Cubby Bear
in Chicago by major Sweet fan Jim Ellison - yep, Jim Ellison
of Material Issue. The same Material Issue who covered three
Sweet songs, including "Ballroom Blitz" (and the
band's "Going Through Your Purse" was a tribute
to the song). "Blitz" was the standard Issue encore
- Mike Zelenko would start the song out and Ellison would
prowl the stage - "Are you ready?
Areyoureadyareyoureadyareyoureadyareyourready.." Ellison
would point at someone in the crowd and keep saying 'are you
ready' until that person said yes, at which point the band
would kick in. Ellison was right off the stage, singing along
to every song.
I got a spot right up front. While the substitute lead singer
was a bit faux Iron Maiden for my tastes, he controlled his
shrieking tendencies, and was quite good. And the hits just
kept on coming. But they saved the best for last. After the
first encore, they came out again, and the crowd was chanting
for "Ballroom Blitz". Finally, the band relented
and drummer Mick Tucker began to pound out one of the most
distinctive beats in rock history - copied by others, sampled
by rappers and rockers alike (like the Beastie Boys and The
Fall, for example) - for all the awesome elements in the song,
Tucker's drum beat endures as a percussive mega hook and it
never lets me down - when I hear those drums, my heart beats
faster and I can't help but be happy. That certainly happened
that night, as the band rocked through the classic and the
crowd went nuts.
As the applause died down, Mick got up from his chair behind
the kit and went to the microphone. "Did you like that?",
he shouted. We all roared back a yes. "Well, let's do
it again!" And he got behind the kit and off they went
again - it was one of the best rock moments of my life.
Mick Tucker died last month of leukemia. He was 54. Now, I
know that Mick wasn't George Harrison, and Sweet wasn't The
Beatles, but there was time they meant that much for me. And
in a small way, they'll always mean that much. Rest in peace,
Mick.
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