Jon
Bard:
June,
2004
In
Search of Lost Souls
By now, the story of Howard
Tate has become part of music industry lore. A brilliant
debut album, a solid follow-up and then thirty years of silence.
Tracked down by dedicated fans, he's found living in a small
town, making ends meet as an itinerant preacher. He's reunited
with his producer and goes on to create one of 2003's most
transcendent records, appropriately entitled Rediscovered.
It's a great story, but it leads one to wonder:
Was this a fluke? Was Howard Tate the only "lost soul"
out there waiting to be returned to glory? Or are there others
who created eternally wonderful soul music, only to be lost
in the shuffle, victims of bad luck, bad timing or bad living?
The Reluctant Soul Man

At first listen, O.V.
Wright is as familiar and comfortable as an old coat.
Permeated with the classic Memphis sound of Sam & Dave
and Otis Redding, his music is warm, beautifully produced
and instantly accessible. But listen again -- this is a man
in pain, a tortured soul spilling out his agony in astonishingly
honest fashion. A successful gospel singer, Wright turned
his back on his church roots to seek fortune in the secular
world. He found misery, struggle and an early death, succumbing
to his demons at the age of 41. What he left behind, however,
is some of the most gripping soul music you've (most likely)
never heard. The lyrics are powerful, the music is riveting
and the performances are unforgettable.
The Soul of O.V. Wright is his final
testament, a grand and sweeping compilation lovingly compiled
by MCA. The best of Wright's work with Houston's Backbeat
label and with Willie Mitchell's legendary Hi label (the home
of Al Green) is represented. A must own for anyone remotely
moved by great soul music.
The Tiny Powerhouse

Best remembered for her timeless hit "I
Can't Stand the Rain", Ann Peebles
is certainly among the most underrated performers of the past
quarter century. A tiny performer with a big voice (she described
herself in one classic track as "99 pounds of soul"),
Peebles brings the grit of Etta James with more than a hint
of honey. Impeccable timing, marvelous phrasing and a feistiness
that cannot be denied help create a thoroughly unique and
ingratiating sound. Like Wright before her, Peebles teamed
with Willie Mitchell and Hi Records and, also like Wright,
was overshadowed by the greatness of Al Green's Hi output.
But just one listen to Peebles threatening to "Tear Your
Playhouse Down" will let you know that she was -- and
remains to the this day -- the real deal.
Still only in her 50's, Ann Peebles certainly
has much more great music to share with us. To get ready for
what comes next, bone up on her classic hits with The Best
of Ann Peebles: The Hi Records Years (The Right Stuff
Records) featuring 21 smoking tracks from the little lady
with the big voice.
The Soulful Classicist

Donnie Hathaway
isn't exactly unknown. In fact, most music fans have heard
of him and many can even recall a few of his smash hit duets
with Roberta Flack. But, for the hunter of Lost Souls, the
recorded output of this tragic soul man is eye-opening indeed.
Trained in classical and jazz traditions, Hathaway was an
exceptionally talented arranger, composer and pianist. After
serving as a sort of apprentice for Curtis Mayfield, Hathaway
struck gold creating soundtrack hits (including the theme
from the TV series Maude) and with the smooth soul
duets he recorded with Flack (including "Where Is the
Love" and "The Closer I Get To You". Troubled
by depression, he was found dead on the sidewalk outside a
New York hotel after a 15-story fall. And, for most people,
that's where the story ends.
But to get to the real Donnie Hathaway, skip
the greatest hits collections and return to his masterpiece
-- his first solo record Everything Is Everything.
A boundary-pushing tour de force, the album finds the prodigiously
talented Hathaway seeking nothing less than to redefine soul.
Surprising arrangements, powerful, socially conscious lyrics
and that memorable, memorable voice make for one of the most
richly-textured soul records ever recorded. He was to reach
these heights one more time, with his 1973 release Extension
of a Man, an equally ambitious -- and equally remarkable
-- piece of work.
The Enigma

In digging through the astonishing recorded
output of Memphis' Stax/Volt label, there may be no bigger
mystery than that presented by Ruby
Johnson. A gifted vocalist with an emotional subtlety
found in few of her contemporaries, Johnson had all the tools
for stardom. Unfortunately, she never came close. Only a handful
of the sides she cut for Stax were released, and those fared
poorly. She quit the music business, took a government job
and lived quietly until her death in 1999.
That she is remembered today is the result
of the only full-length album of her work ever released --
the 1993 compilation I'll Run Your Hurt Away. Twenty
one slices of pure jaw-dropping Memphis soul, most never before
released, carved a permanent place in music history for a
woman who had long since given up hope of musical fame.
The Troubled Hero

That James Carr
can be considered a hero has little to do with his amazing
voice, or with his role as the originator of the stone-cold
classic "Dark End of the Street". James Carr was
a hero because, every day of his life, he fought back against
crippling mental illness to carry on with a career that brought
joy to lovers of great soul music for decades. Through bouts
of institutionalization and incapacitation, James Carr kept
coming back, creating brilliant soul music at times when the
world had written him off.
The Essential James Carr (Razor &
Tie) is a fine place to start exploring James Carr's extraordinary
abilities. Also, look for his reissued albums on the Kent
label.
In this age of "American Idol",
when "soul" is often confused with the ability to
perform vocal tricks, it's useful to look back on these "Lost
Souls" to remember what the genre is really about. They
were often unlucky, sometimes troubled, usually overlooked,
but these men and women truly brought the soul, leaving pieces
of themselves on slabs of vinyl for us to marvel at all these
years later.
Let these lost souls be lost no more. May
they find the peace -- along with the honor and recognition
-- they so richly deserve.
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